A Quote by Michael Caine

My dialogue coach said to do a Texas accent, you lean on the next word, and that was the clue to me. — © Michael Caine
My dialogue coach said to do a Texas accent, you lean on the next word, and that was the clue to me.
They said [on a day show], oh, you can't do a Chinese accent. That's - and I said, I'm not doing a Chinese accent. I'm doing my friend's accent. And they said, yeah, you can't do that. And I said, OK, but can I do a Russian accent? And they said, yeah, yeah, of course, you can do that. I said, and a British accent? They said, yeah, go ahead. And I couldn't understand.
I'm sorry,' said the shopkeeper. 'I can't understand your ridiculous accent.' 'My accent?' 'It is quite silly.' 'So you can't understand me?' 'Not a word.' 'Then how did you understand that?' 'I didn't.' ''You didn't understand what I just said?' 'That's right.' 'You understood that, though.' 'Not at all.' The American glowered.
I never worked with a dialogue coach before, but I'd hate it if an American did a British accent and didn't do it well. It would be insulting.
Dialogue is a lean language in which every word counts.
James Blish told me I had the worst case of "said bookism" (that is, using every word except said to indicate dialogue). He told me to limit the verbs to said, replied, asked, and answered and only when absolutely necessary.
I asked Darrell Royal, the coach of the Texas Longhorns, why he didn't recruit me and he said: 'Well, Walt, we took a look at you and you weren't any good.'
The East Texas accent is a famously difficult accent to do.
I don't write with a scheme or a plan. I write word to word, so whatever that first sentence is, having said that, one more or less had to say what comes next and next and next. Guilty of no cogitation or forethought.
Texas is a state of mind. Texas is an obsession. Above all else, Texas is a nation in every sense of the word.
The word coach comes from the old English word coach, which was a vehicle, a carriage that took royalty or very important people from where they were to where they wanted to go. That's really what a coach is. He or she tries to create a vehicle that will help you get where you're going, not where the coach wants you to go.
Coach Pederson is the one who drafted me. He was the only coach who flew down to Texas and worked me out. I was only worked out by one team, and that was by Coach Pederson... the Philadelphia Eagles took a chance on me.
I went to a dialect coach and she told me that I had five problems; two were my Israeli accent and three were my New Jersey accent. I don't even want to know what I sounded like back then!
I had to do some emergency cram sessions with the dialogue coach on set [of the Punisher: War Zone]. But it was fun, because every actor on that movie had to do an accent, so we were all talking the whole time in our accents.
Working on the accent helped, enormously. I will tell you that when I brought Michael a correct 'British' accent, one that my dialect coach was happy with, he hated it.
If I can iron out my accent, it opens up another world of possible jobs. Whereas if you have that very strong European accent, it leaves you always being cast as the Hungarian maid or the stripper or whatever. I have voice lessons, and my coach has given me different tongue-twisters to rehearse at home.
I thought I had a pretty good American accent but I had a few sessions with a voice coach over there and she was picking up on a few things. Possibly because I've got such a strong Northern accent, I emphasise the wrong part of words so the idea is to work on my American accent.
This site uses cookies to ensure you get the best experience. More info...
Got it!