A Quote by Michael Caine
I've been in every disco in the world. I saw a picture of my wife Shakira and I dancing in Studio 54; I didn't even know someone had taken that picture.
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I've gone on Twitter, and I've seen a picture of me walking through the airport, or some random picture, and the person's like, 'Oh my God. I just saw Chilli.' They just take a picture, and it lets people know where you are. It's just crazy to me even when people do that.
My wife Ann and I had been digging during the day, transplanting lilies from the front of this abandoned farmhouse back down the road to where we live. We finished. She was tired and laid in the grass. I took a picture. The house is now gone. The walnut trees have been bulldozed and burned. I saw this picture the other day for the first time in years and realized how photographing life within a hundred yards of my front porch had helped me focus on everything I cared about.
As the original 'Mary Poppins' budget of five million dollars continued to grow, I never saw a sad face around the entire Studio. And this made me nervous. I knew the picture would have to gross 10 million dollars for us to break even. But still there was no negative head-shaking. No prophets of doom. Even Roy was happy. He didn't even ask me to show the unfinished picture to a banker. The horrible thought struck me - suppose the staff had finally conceded that I knew what I was doing.
There are certain times I don't want my picture taken. If my wife's stepping out of a car and it looks like it's going to come out an indecent picture, don't I have a right to object?
Some things you forget. Other things you never do. But it's not. Places, places are still there. If a house burns down, it's gone, but the place--the picture of it--stays, and not just in my remory, but out there, in the world. What I remember is a picture floating around out there outside my head. I mean, even if I don't think if, even if I die, the picture of what I did, or knew, or saw is still out there. Right in the place where it happened.
What the hell could you do? I've never been arrested, I haven't taken drugs, I've had the same wife for 54 years; where's anything of interest to people?
I'm pretty used to people not liking having their picture taken. I mean, if you do like to have your picture taken, I worry about you.
The sense that the meaning of the universe had evaporated was what seemed to escape those who welcomed Darwin as a benefactor of mankind. Nietzsche considered that evolution presented a correct picture of the world, but that it was a disastrous picture. His philosophy was an attempt to produce a new world-picture which took Darwinism into account but was not nullified by it.
Nine years old, I became the victim of war. I didn't like that picture at all. I felt like, why he took my picture, when I was agony, naked, so ugly? I wished that picture wasn't taken.
Before the camera, you only had secondhand takes - someone had to tell you what they saw or draw a picture of it or sing a song. Because of the camera, sometimes to our horror, we now know everything that happens in the world - things that before we were sheltered from.
I knew I had more in me than just standing up and having my picture taken... Being in the studio, I have to have an opinion.
Each picture with its particular environment and unique personal relationships is a world unto itself - separate and distinct. Picture makers lead dozens of lives - a life for each picture. And, by the same token, they perish a little when each picture is finished and that world comes to an end. In this respect it is a melancholy occupation.
I was looking at this picture of Brooke Shields at Studio 54 the other day. Everyone in the shot looks amazing because they have these black and white cameras with a flash. I think that's what photographers should go back to.
Every picture has its own demands, and every picture stimulates something within you to tell it a certain way. I don't know what that is; I don't think too much about that.
Really the truth is just a plain picture. A plain picture of, let's say, a tramp vomiting in the sewere. You know, and next door to the picture Mr. Rockefeller or Mr. C. W. Jones on the subway going to work. You know, any kind of picture. Just make a collage of pictures.
When you do a studio picture, all the paperwork and legal stuff is already taken care of!
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