A Quote by Michael Caine

When you're a young actor you ring your agent every evening. It's not like when you're in Hollywood where you do one picture a year. You just hope you get a day on television. — © Michael Caine
When you're a young actor you ring your agent every evening. It's not like when you're in Hollywood where you do one picture a year. You just hope you get a day on television.
It's not like they just open the gate to Hollywood and off you go - you earn your stripes. I worked ferociously hard even just to get an agent.
Somehow, I've been blessed to be able to have the young spirit inside - not feel like every year I get a year older. I feel like every year I get a year younger. I don't wake up in the morning with aches and pains.
I've always looked at people like Carine Roitfeld, Donatella Versace, DVF...people who when you walk on a set you feel like they still have so much excitement for what they're doing every day and they just have so much youth even though they've been doing it for so long. Every day just working to keep a young spirit - because even when you're young that's hard to do, because you get so caught up in things. I just think it's so important to make an effort every day to have a young spirit. Then when you get older, you always kind of keep that.
The phenomena of the year take place every day in a pond on a small scale. Every morning, generally speaking, the shallow water isbeing warmed more rapidly than the deep, though it may not be made so warm after all, and every evening it is being cooled more rapidly until the morning. The day is an epitome of the year. The night is the winter, the morning and evening are the spring and fall, and the noon is the summer. The cracking and booming of the ice indicate a change of temperature.
When I was coming up in the '80s television, if you were on television that meant either you were a young actor just coming up like I was, or you were an older actor whose career was over and you had to go on television.
I was very young, but I just remember going to school every day in England, which I didn't enjoy. Every day, as soon as the bell would ring, we would go out and be on this little - it looked like a basketball court, but it was a soccer court with goals and a hard floor.
I spoke to my parents and my agent a year before Rio. I was like: 'I don't want to do this. I want to get away.' They said: 'Just grit your teeth for a year. Then you can have your break. And if you want to retire, you can retire then.' I was in tears. I just hated it.
For almost every novel I've written, I've read the daily newspaper of the time almost as if it were my current subscription. For 'Two Moons,' which was set in 1877, I think I read just about every day of the 'Washington Evening Star' for that year. For 'Henry and Clara,' I read the 'Albany Evening Journal' of the time.
If you want to be traditionally published, then you most likely want to get a literary agent. To sign with an agent, you need to send them a query letter, but agents can get up to 20,000 query letters a year. With numbers like that, it helps to get in front of agents with every opportunity you have.
The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to – until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life.
What I've learned, more than anything, as a young actor who has been in the business for 10 years, is just to be around guys and girls, like Ron Perlman, Bill Lucking, Kim Coates, Tommy Flanagan, Katey Sagal, who have been in this business for a very long time, and to learn what to do and what not to do from them, every day, and to see how they navigate through their Hollywood life.
I literally get up and get to do the one thing I dreamed about doing every day. And that is being a part of a television show and a radio show that is based in Hollywood.
Years may wrinkle the skin, but to give up interest wrinkles the soul. You are as young as your faith, as old as your doubt; as young as your self-confidence, as old as your fear; as young as your hope as old as your despair. In the central place of every heart there is a recording chamber. So long as it receives messages of beauty, hope, cheer and courage, so long are you young. When your heart is covered with the snows of pessimism and the ice of cynicism, then, and then only, are you grown old. And then, indeed as the ballad says, you just fade away
It's really hard to get a coffee with someone. I have to call my agent, my agent calls their agent, their agent calls their manager, the manager calls back, the actor sends someone to the manager... then you get, 'Yeah, yeah, I'd love to have dinner at six,' and all I wanted was coffee! It can take, like, six days to get coffee.
Normally sports day is once a year for kids, where you have fun, and everybody is jostling. For us, making movies is like having sports day everyday: competing with each other, doing your best. It's like that except we don't get awards every day in our sports day.
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