A Quote by Michael Caine

They use those monitors now, and sometimes you'll be doing a shot and then suddenly you see yourself on one of those monitors, and I always say turn the monitor round, I don't want to see myself on the monitor. I never see myself 'til the movie's finished.
You get some directors, and I can never understand it - there's a thing they call the 'video village' where all the monitors are, and you've probably seen it on set visits - I hate that! I never, ever like sitting in video village. I get either my own monitor or a hand held monitor, and I stand right by the camera.
It was so hard to watch myself back because whatever movie I do, I never look at the monitor. I hate looking at the monitor.
I just shot my first dramatic movie in France, and for those dramatic scenes that I shot, I would not want to look at those. There's a certain mindset you have to put yourself into for those scenes, and looking at the monitor would just take you out of it.
If I'm going to be the best in what I do, I have to study what I'm doing, I have to see what I'm doing. I have to see it, I have to hear it. I'm just starting to appreciate myself - not starting, but appreciating myself in a way where I can look at myself back in a movie or listen to myself as much as I do now.
There are a lot of actors who will watch the monitors. They'll do a scene, and then the director will look back to see if he got whatever he wanted. I just find it odd to sit there and watch yourself. But if you can be objective, I can see how it's really useful as a tool, especially if you're doing something physical.
I see myself as a winner. I'm not one of those guys who say, 'Let's come back next year and maybe give it a better shot.' The shot is now.
With storytelling, you have to see yourself as the hero in the movie of your own life, and I kind of see myself as a supporting role, a walk-on role that has five lines. I say, 'Mr. President, the Russians are here.' That's how I see myself.
I'm considered wise, and sometimes I see myself as knowing. Most of the time, I see myself as wanting to know. And I see myself as a very interested person. I've never been bored in my life.
Filmmaking these days is so technically advanced. When I started off, we had to wait for two to three months to see the rushes. But now you can see every scene on the monitor and you can see your work immediately.
I guess what I like in my movies is where you see a character change by maybe two degrees as opposed to the traditional movie change of ninety degrees. I guess that always feels false to me in movies because that doesn't truly happen. Around me, at least in the life I live, I guess I don't see people change ninety or a hundred degrees. I see them change in very small increments. I think it's just a monitor I might have on myself as a writer to not make any false scenes.
I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
I'm not comfortable, for myself and for others. And yet, one has these people whom you trust, have faith in, whom you believe see what you see, and then you come up against a moment where you feel suddenly tossed out. So I was really interested in those moments.
I see myself as a storyteller. So, when I read something, I see the story, and I see it on screen, in my head, in a certain way. I always want to see it and see me in it.
Honestly, as you can imagine, it really isn't all that fun directing yourself, running back and forth to the monitors to see if you're terrible or not.
You can talk yourself out of doing something if you start to think about, "How would this person see it, or that person see it?" So sometimes it's allowing myself to be in it and not talking myself out of it.
I see myself traveling; I see myself with a much bigger living space than I do have right now. I see myself hopefully on a tour bus at some point.
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