A Quote by Michael Caine
In England, I was a Cockney actor. In America, I was an actor.
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An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
The heritage of a British actor revolves around the challenges of playing the classic roles to meet certain levels of success as an actor. In America, the heritage of an actor is based on cinema mainly.
To be a working actor in England is a life. I think it's harder in this country. Either you are a superstar or a starving actor.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
Im an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
I'm an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
I think one of the main differences between being an English actor and being an American actor is that we have things like the class system in England.I'm middle class. But I've got what some people might consider to be a working-class accent, so you've got those sorts of elements in this country to consider, which, in America, exist, but not necessarily in the same way.
I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.
I'm not an American actor. I'm a French actor. I'll continue in France. If I could make another silent movie in America, I'd like to!
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
What's difficult for American audiences is that they're used to a system here where you can get an actor for five years or even seven, and that is signed for at the audition. Whereas in England, no agent will give you an actor for more than three years.
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