A Quote by Michael Capuano

Look, when you're in the public life you have to understand, the press - good bad or indifferent - is going to chase you on occasion. When they do, you give them an opportunity to do their job and then you generally get the respect that they'll move out of your way but not always.
If you give orders and explain nothing, you might get obedience, but you'll get no creativity. If you tell them your purpose, then when your original plan is shown to be faulty, they'll find another way to achieve your goal. Explaining to your men doesn't weaken their respect for you, it proves your respect for them.
You have to understand what they (pitchers) do. That's my job. You have to find a way to get them through the game if they're not feeling good. When everything is going good and they're feeling one-hundred percent, it's my job to keep them that way. And you know what? If I see something, I'm going to let them know.
I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
I always hear people say I give the same answers or I don’t give you much. No, I just don’t give you much negativity. When people are negative a lot, it starts to creep into your mind, and then you start having doubts, and I don’t like that. If there’s another way, show me. My job is to stay positive. My job is to limit distractions. And if you get annoyed by that, I don’t expect you to understand because you’re not in my shoes.
I choose to identify with the underprivileged, I choose to give my life for the hungry, I choose to give my life for those who have been left out of the sunlight of opportunity . . . this is the way I'm going. If it means suffering, I'm going that way. If it means dying for them, I'm going that way, because I heard a voice saying DO SOMETHING FOR OTHERS.
If you're writing a thriller, and you don't make it compelling, then you've really not done your job. So it's easier for me not to set out with certain goals, and then I can't see them as unmet. It's like life generally: If I'm not aiming to be physically fit, then I'm not always thinking about being unfit.
People are going to move in and out of their office, and they're going to move up or get fired. All kinds of things happen like that, in real life. And, we're always going to have crime, unfortunately. If we didn't, then I wouldn't have a new show.
Guys that are young in the league. Guys that you get to teach them your way. It's not a bad thing. It's actually a good thing. It's working for them. Teach them that way, and I guarantee they aren't as stubborn and hard-headed as I was, which sometimes is good, sometimes is bad. But like I always say, I'm not going to change who I am.
You're trying to figure out a way to meet a horse to where he can understand. And to me, it's not to train a horse, it's to try to get the horse with you where it's one mind and one body. You may spend your whole life chasing that, but it's a good thing to chase.
We were creating a formula for points racing, and that wasn't good in qualifying for the Chase, and it wasn't good when we got to the Chase. We wanted to change that, and we also wanted to fix a couple things. One of them was that we didn't want to have a bad race or two take somebody out early on in the Chase, which has happened every year.
We are a democracy, and there is only one way to get a democracy on its feet in the matter of its individual, its social, its municipal, its State, its National conduct, and that is by keeping the public informed about what is going on.There isnot a crime, there isnot a dodge, there is not a trick, there is not a swindle, there is not a vice which does not live by secrecy.Get these things out in the open, describe them, attack them, ridicule them in the press, and sooner or later public opinion will sweep them away.
And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet.
Directing takes a good chunk of your life out. It's a very hard thing. As an actor, you go in for a couple of months and do your job, and then you move onto another one. As a director, it's with you for quite some time and you're responsible for the entire thing, whether the results are good or bad, or whether people throw darts at you or put you on a pedestal.
With my friends, it was always essentially true stories. That's how I always felt about doing King-Cat. This is something that really happened, whether it makes me look good or bad, or someone else look good or bad. This is what happened, and it's my job in life to write it down. Nowadays, I'm a lot more conscientious about it. I'm not out to attack somebody in print.
It's good to go out and entertain these people, and you've got them on the edge of their seat, they're standing up. Then you know that you've done your job, you've entertained them. My way of entertaining them is going out and wrestling. Everyone's got their different ways.
Being sad and going out on terrible dates and having horrible breakups and then having a shitty job and then quitting the shitty job and then wondering if you shouldn't have quit the shitty job and then getting a new shitty job that you get fired off of after six weeks, it's all so good for your writing.
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