A Quote by Michael Carbonaro

I went to NYU completely with the idea I wanted to be the next David Copperfield. — © Michael Carbonaro
I went to NYU completely with the idea I wanted to be the next David Copperfield.
As a schoolboy, I loved Charles Dickens. His 'David Copperfield' has had the strongest influence on me - I looked up to David Copperfield as a role model.
The first time I had my dreams crushed was when I was scammed, and somebody stole all of my magic props. I was a teenager, and I had put all my money into that. I had literally wanted to be the next David Copperfield. And that was all taken away.
My goal was becoming the next David Copperfield. I learned how to be a performer by emulating him as a kid - his formula of just talking to people onstage, being free to improvise, being charming and witty with a crowd, together with great, beautiful magic.
'Bleak House' remains a great novel for me, and I love 'David Copperfield.'
If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.
An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
To make [parents] happy, I went to Fordham University for three weeks, while at the same time running ads in Variety, "magician-actor David Copperfield."
A lot of the novels that I've really enjoyed in my life, whether it's Tolstoy's 'Cossacks,' or 'Sons and Lovers' or 'Jude the Obscure' or 'David Copperfield' or 'Herzog,' have an autobiographical spine.
While reading 'David Copperfield' in the middle of the night - probably because of the light, I had insomnia for the first time - I looked out of the window and thought, 'If this is what books can do, this is what I want to do.'
It's so funny, all the similarities that we have [with David Copperfield] of being obsessed young people and finding a way to be around the people doing what we want to do.
At the age of 9, I read David Copperfield by Dickens. At 14, I read War and Peace by Tolstoy. They're both books I have reread regularly since.
Ever since I was a kid and watched magicians on stage, like David Copperfield or Siegfried and Roy, I instantly knew how they did everything. In my head, it just all worked.
When we were kicking around the idea for Netflix in 1997, proving out an idea was expensive and labor-intensive. There was no Squarespace, no cloud. If you wanted a website, you had to build it from scratch. If you wanted an online store, you had to completely design it yourself.
Many books have mattered enormously to my life and work. 'David Copperfield' by Charles Dickens would be one of several contenders for 'most influential.' I first read it at 13 and have reread it dozens of times since.
I studied acting in NYU's graduate program, in which we covered everything from Ibsen and Chekov to August Wilson and David Mamet.
One of my favorite books was 'The Book of Immortality' by Adam Leith Gollner, which talks about cheating death and life extension and frames with a story that David Copperfield finds a fountain of youth on an island he bought.
This site uses cookies to ensure you get the best experience. More info...
Got it!