A Quote by Michael Carbonaro
I don't want to be 'the magician'; I want to be an innocent bystander along with the magical moment.
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These weren't encouraged in the city, since the heft and throw of a longbow's arrow could send it through an innocent bystander a hundred yards away instead of the innocent bystander at whom it was aimed.
When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."
I'm just very much in love with love. I have this fairy-tale idea of what love should be, and I want it to be magical. I want everything in my life to be magical, actually. If you ever come to my house, you'll see what I mean. I've made it like a fairyland. Flowers and hearts everywhere, and there's colors and little gems hanging from the windows. I just like things to be magical if they can be, and in love there's your opportunity. I think that's how it should be, and if it's not like that, then, "Nah. Don't want it".
The main thing on film is you want to be innocent to the moment.
There's magic all around us: Our smartphones are magical, 3-D printers are magical. So I feel that as a magician, if I can pull off something that seems real and convincing enough that I can explain why it's happening and have people believe it, it really is fascinating. And funny.
It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.
I want to walk the red carpet at the Oscars. I am in awe of the ceremony, and winning an Oscar would be the most magical moment of my life. I want to make that speech and hold that trophy and say, 'This is for you, India.' That's the line I have rehearsed for God knows how long. But that has to be for a Hindi language film.
Like secondhand smoke, the leakage of emotions can make a bystander an innocent casualty of someone else's toxic state.
You go real long in this business, and then you have these light-bulb moments. I just had this fleeting moment of fearlessness and a moment of trust in myself that I'm not going to listen to anyone. I'm going to do it how I want to do it. And how I want to do is what people are going to want to see and promoters want to pay for.
Our footsteps run, and I don't want them to end. I want to run and laugh and feel like this forever. I want to avoid any awkward moment when the realness of reality sticks its fork into our flesh, leaving us standing there, together. I want to stay here, in this moment, and never go to other places, where we don't know what to say or what to do.
When you drop your expectations that a person, a situation, a place, or an object should fulfill you, it's easier to be present in this moment because you're no longer looking to the next one. Most people want to get what they want, whereas the secret is to want what you get at this moment.
It is human nature to want to believe in the wizardry of the magician--but also to turn against him and to scorn him the moment that he commits the slightest error that reveals his trickery. Those in the audience are embarrassed to have been so easily astonished, and they blame the performer for their gullibility.
Lord Jesus,' Christy whispered, 'I want You to hold the key. I want You to decide what should happen in my heart's garden. I want You to let in or send out anything or anybody You want. Especially with guys. I don't want to ever unlock that gate again. I want you to open it only when the right man comes along. Take the key, Lord. Take all my keys. I'll wait for you.
A great hang is mandatory. But in all of my years as a traveling musician, on a whole it's been pretty damn magical. There have been a couple duds along the way, but most time, I'm in awe of the guys who want to play on my records.
We want to have our beliefs, and we want to enforce them on everyone else, but we don't want to have to think about everything that comes along with it.
I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted.
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