A Quote by Michael Carbonaro

Alan Funt was the first hidden-camera magician. It was the playful nature of the way he worked that really inspired me. A lot of prank shows and hidden-camera shows can be a little mean-spirited. Funt was never like that.
A lot of people have experimented with hidden cameras and magic before. What I do, which I think is different from any other style of prank or hidden camera, is that it's all fun. It's back to that kind of fun that 'Candid Camera' was. It's not mean-spirited at all. It's a joyful kind of play with people.
It would be great to do another television show that was a multi-camera because the hours are so wonderful and you can be a good mom at the same time. The problem is, there aren't a lot of multi-camera shows that I personally like. My aesthetic is more geared toward single-camera shows.
I did hidden-camera shows. I've been around the block a few times.
I think a lot of people like hidden-camera shows where they think they're spying on somebody who doesn't know they're looking at them. And nobody takes it seriously - you either enjoy it and get a laugh out of the reactions or not.
On 'Handmaid's' you are given complete freedom - unlike some shows where you're really expected just to 'fold in' and 'deliver the script' and 'put the camera where we normally put the camera.'
It's the angle that shows how we see differently. I have always believed that all documentaries are fictional. It's really the angle of the camera, the owner of the perception, that makes the story what it is. The video camera is a fiction.
When I work, I really try to get absorbed in the character. Unless I want to do something playful with the camera, I'm not too worried about where the camera is or positions.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
I've worked with actors who treat the first two takes like rehearsals. And that's okay. If the camera is on you and we're doing a scene where I'm off camera, I'm treating that as a rehearsal.
The less manifest the work, the stronger: as though a secret law demanded it always be hidden in what it shows, thus showing what must remain hidden, only showing it, in the end, by dissimulation.
A man with a camera was always suspected of being a spy. Moreover, the Jews did not want to be photographed, due to a misunderstanding of the prohibition against making graven images (photography had not been invented when the Torah was written!). I was forced to use a hidden camera.
A hidden camera must never become a lazy substitute for the rigours of old-style reporting.
One of the first TV shows that I did was this prank show. And we did a prank where we took a Michael Jackson impersonator and I played his publisher.I was just really good at my job.We were just about to go onto the field to throw out the first pitch just two weeks after 9\11. It was a huge security breach, and we made a lot of cops look really dumb. Producers of the show thought it would be really funny and I didn't think about it because I was a young dumb comedian. So I got arrested and went to jail in the Bronx, and now I can never go back to Yankee Stadium.
It's weird because we live in this age of reboots. Everything is getting rebooted: 'The X-Files,' 'Twin Peaks.' We have shows like 'Gravity Falls' that were inspired by these shows, that are now ending and being followed up by reboots of the shows that inspired them.
I ended up doing a lot of prank shows in my life or prank theater, but I always got fairly nervous about doing 'em.
When I was little, I had this old video camera, and I set it up, and I would pretend that I was on comedy shows and soap operas and things like that.
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