A Quote by Michael Chabon
Joe is the hero and Sammy is the sidekick. That's how I feel about it.
Related Quotes
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
When I wrote the book, I thought that I was the hero of my story. And in writing it, I came to realize over time that my mom was the hero. And I was, you know - I was just her punk-ass sidekick.
There are things about Joe Torre, if I wanted to come out and say, would show how cold and calculated he really is... Joe Torre is for Joe Torre. ... The graveyard of Yankees coaches is loaded with bones of coaches Joe Torre did nothing about.
As an actor I'm part of a long line of character people you can take back to the silent movies. There's always the little guy who's the sidekick to the tall, good-looking guy who gets the girl. People tend to not think of themselves as Tom Cruise or Bruce Willis. The leading man is something that they might like to be, but they aren't. The sidekick is somebody that they feel a little closer to, because the sidekick has the same human failings that they do.
I don't know what Joe (DiMaggio)
wanted (in regards to being called 'the greatest living ballplayer'), but I don't have a problem, if he wanted to do that. He was my hero. Joe
was the best all-around player. Joe
was the best. I only played against him once, in the '51 Series.
I consciously decided to make both 'Sammy's Hill' and 'Sammy's House' more of a warm satire and not go the route of writing a dark and bitter book about D.C.
It's important for Asian American kids to see themselves in stories and to feel seen. They need to know that their stories are universal, too, that they, too, can fall in love in a teen movie. They don't have to be the sidekick; they can be the hero.
Success and failure. We think of them as opposites, but they're really not. They're companions - the hero and the sidekick.
G.I. Joe is not shown in Korea at all, basically, so a lot of people didn't know about G.I. Joe and I also didn't have the information about G.I. Joe.
Sammy Sosa? Everybody knew who Sammy was, paid attention to Sammy. I had already signed in pro ball when he had the great homer year with Mark McGwire in '98. But I followed it, and I was proud of him because he was my countryman. There are a lot of great ballplayers from the Dominican, and he's one of the best.
I always felt sorry for the sidekick as a kid. They never got their due and it left a very bad taste in the mouth - they are defined by a subordinate relationship to someone else. I always felt like a bit of sidekick when I was a kid and it didn't feel fair.
The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
My parents were enthusiastic fans of 'Sammy's Hill.' But they think 'Sammy's House' is a better book.
Joe E. Lewis said, 'Money doesn't buy happiness but it calms the nerves.' And that is how I feel about a film being well-received.
There is no difference between a hero and a coward in what they feel. It’s what they do that makes them different. The hero and the coward feel exactly the same, but you have to have the discipline to do what a hero does and to keep yourself from doing what the coward does.
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
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