A Quote by Michael Chang

It's difficult sometimes when you have somebody who is of a different culture trying to make light of something that is maybe not quite something that they understand. — © Michael Chang
It's difficult sometimes when you have somebody who is of a different culture trying to make light of something that is maybe not quite something that they understand.
It was difficult for me to understand that, when you're kind to someone in a big city, a lot of the time, they think that you want something. I didn't understand that, all of a sudden, niceness meant that you were trying to get something out of somebody.
Unless somebody's actually creating something and doing something spontaneous I wouldn't find it at all interesting, to watch or to create, so, I'm trying to make my solo shows something different altogether.
If my little girl wants a toy or something, sometimes I say, 'I don't have the money'. It's quite difficult to understand why I'm saying that, but she needs to understand that nothing comes easy.
Art really is something very difficult. It is difficult to make, and it is sometimes difficult for the viewer to understand. It is difficult to work out what is art and what is not art.
I think any great song is difficult to write, in some aspect. It's just difficult to make somebody feel something. That is the main goal. How do you make somebody want to get up and dance? How do you make somebody feel okay after their breakup?
Repeating my mechanics was difficult. I was always trying to do something different to make it click.
For me, choosing happiness has to be something that's conscious, a choice, something I act on. And I think this is something really difficult in a society where there's this falsehood that there's sunshine everywhere and all you have to do is hook yourself up to it. We're Combodians such an optimistic culture, but sometimes we have to work a lot harder to find it.
Every video I make, I want to make sure that it's doing something entertaining or hopefully inspiring or maybe teaching somebody something or sharing my mistakes so that they can learn from them or anything that will make a positive impact in the world.
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
I think the main thing is trying to be fair, sometimes there has to be a little bit of discipline, maybe even punishment involved in trying to make your child understand, learn from bad experiences and make sure they don't happen again.
I never meet a church that wishes they didn't do it. I never meet a leader that wishes they didn't do it. They will all say, to the person, it's hard. It's difficult. It comes with complexities and confusion as you're trying to go across cultures, and you don't understand, you didn't mean to offend somebody but you've offended somebody. But they will all say it just does something.
I think there is something in my books that says these are people doing their best under difficult circumstances - sometimes they do wrong things and make mistakes, but who doesn't? And who wants to read about somebody who never does?
It is very difficult to follow your own method all the time because you may crash against some directors who want from you something different. Trying to understand the material, who you're working with, and how can you fit in there. That is my approach.
If you're trying to make something funny, and it doesn't feel like you're always getting something, it doesn't have quite a lot of joy.
But for me, you also have to be conscious of what is going to play. And that includes playing with. Sometimes it's just a vibe. It's what's going to make this scene work. And sometimes there may be something that restricts you that has to do with something that maybe is historically accurate. And then you have to weigh that decision and give up something for a scene to work.
I feel that everyone has something different that moves them or that appeals to them. Maybe something in your family or maybe something in your life that happened that really pushes you for a specific cause - as long as there is something that you're doing.
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