A Quote by Michael Che
It's weird doing a show on a Saturday, because we get the news after everybody had their way with it. We still have to find a way to get something fresh out of the story, but also keep the integrity of it. A lot of times the obvious take is so obvious it's already been on Twitter, so we gotta find a new thing.
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If I'm playing country, I gotta have my country hat and my cowboy boots. I gotta have a voice, and the third thing, I gotta have I guess a little music to keep me in the right mind, a little pre-show something to get ya going. Lots of AC/DC, or I'll sit on youtube and find all kinds of stuff before we take the stage to get pumped up.
The pitfall of what's happening in the media is if you're under thirty, you get your news from the Internet and The Daily Show, and there's not much discrimination between what they find on the front page of The New York Times and what they find on the Internet. That's not a bad thing, in the sense that people don't get spoon - fed anymore.
Our go-to source is no longer dictated by a small group of cable news outlets. We have to expand our view. Sometimes, a story is made and breaks on Twitter. We have to find a way to react to that, to consume and also disseminate the information from Twitter, which is not an easy thing to do.
She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd always been the windshield type: gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to live. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.
The obvious choice isn't always the best choice, but sometimes, by golly, it is. I don't stop looking as soon I find an obvious answer, but if I go on looking, and the obvious-seeming answer still seems obvious, I don't feel guilty about keeping it.
The great thing is that young talent isn't tied to a how-to model for starting a line; we get to find new ways to go about doing things. And don't let people tell you you can't. Go find a way to show that you can.
I'm lost in a transition. The old is dead, and I don't know what the new is. The only way to find the new is to start different things and see if there's something that can come out of experimentation. It's somewhat unsettling, but it's a hopeful thing in a way. I've been here before, lots of times.
You can't keep putting out the same record, it has to be better than the last thing you did. You have to find out what sucks, you have to stop doing what sucks... you've gotta find out what you're doing right, and you've gotta do more of that.
The issues for journalism and journalists, we see obvious places where presentation is very different in a digital space from traditional print. If you go to a New York Times homepage, you cannot get to a story about the Ukraine without a click-off on a banner ad or a slide show. They're not alone in that - you think you're clicking on a video about a news event and you have a 30-second ad that you have to watch before you can get to it.
I had to realize that you can't try to get money, support yourself, and grind doing whatchu need to do at the same time. The music is the grind. You really gotta grind. You gotta find your way around. You can't be stuck tryna get there.
My advice is that if you really want to be a screenwriter, get out here and be ready to take no for an answer many times until you find your way through it and are fortunate enough to get something made.
You have a new audience for every show. Even though you do the same thing all the time, you gotta keep it fresh for yourself, and you gotta keep it good and interesting and something you want to do. I'm anxious to have a really terrific act. Whatever it takes it takes.
I've always been into 'fast-paced, don't bore 'em, keep it moving along, stick with the story.' You know: tell a story the way I want to hear a story. I find it more rewarding to write for kids, but I also find it a little easier, because you can just let loose a little bit more in terms of fantasy and stuff.
When I go a stretch without tweeting, I will occasionally get an email from my mom, checking in. I always find this amusing but also gratifying: Thanks to Twitter, I can keep in touch with my parents and let them in on what I'm doing in a way that even the regular phone calls of a doting daughter can't do.
The men who go out the scientists who go out, they have so much fun on the way that when they get there well it's done. So they're looking for another thing. You see the objective may remain the same - the search - but you must get lost on the way, get stupid to my mind, this is what you do in theatre; a team of people go out to look for something, they find, maybe, something else.
People say to me all the time, "I get my news from your show." And that isn't the way they should get their news. But the choice is not between getting their news the right way and getting their news from my show. The choice is that they won't get any at all unless you give it to them in an entertaining package.
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