A Quote by Michael Che

I kind of write in my own little world. — © Michael Che
I kind of write in my own little world.
Marriage is a sort of tacit hunting in couples. The world all in couples, each couple in its own little house, watching its own little interests and stewing in its own little privacy - it's the most repulsive thing in the world. One's got to get rid of the exclusiveness of married love.
Here in L.A., you kind of get stuck in your own little dilemmas and your own little life, and hearing a story like Pocahontas' reminds you there's a bigger world out there, and there are so many more important things in life.
As a young writer, I questioned the idea that I had to write fiction in a world where I could write my own ethnicity only and nothing else. 'Fach' to me was a little like that. As a biracial person, that's an inherently unstable identity.
There is a marvelous peace in not publishing. It's peaceful. Still. Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure. I don't necessarily intend to publish posthumously, but I do like to write for myself. I pay for this kind of attitude. I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.
We kind of write pop songs, but we don't fit in the pop world. We're really bad at being pop stars and walking down red carpets. We've got our own little bubble, which we really like. We've learned to really like that.
I come from a place of darkness when I write because I'm always trying to figure things out. It's kind of like my own therapy when I write music. It's me working through my own problems hopefully. And putting it into a song.
I'm a self-taught musician so how I read music is kind of very weak and I kind of read my own version of tablature, I write my own crappy reminders on what I'm playing.
In Peru, if you gave somebody a little chance to do something, they took it to the furthest extent. They took nothing for granted. And here in L.A., you kind of get caught up in your own little dilemmas and your own little life.
We also write to heighten our own awareness of life... We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it...to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely... When I don't write, I feel my world shrinking... I feel I lose my fire and my color.
The Internet is no longer the kind of thing where only six guys in the world can build it. Now, you can write a couple of checks and get one of your own.
My son had toyed with the idea of writing and trying to write a little bit, so that kind of gave me the bug to write also.
In the real world, I kind of, like, thrived a little bit. The things that were awkward about me at school, like being hyper passionate... I realized, 'Oh I'm my own person, and I have my own idiosyncrasies and nuances that I don't mind.'
When you're on your own, you have all the self-censorship that everybody has when they try and write. All the little voices that say, 'No, you can't write that, what will they think of that?'
It's strange, because it seems that society is kind of promoting or nurturing this kind of ostracized existence. People are kind of very much in their own little worlds.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
People who write books - they live in their own world as they're writing. But people who are doing shows or big movies - not only are you writing this world that you're living in, but you're also simultaneously running a circus, and you can kind of start losing your mind like that.
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