A Quote by Michael Che
Cartoon violence is something very vivid and dark but made palatable for children in a fun way. That's the kind of comedy I do - I try to take subjects that might seem deep and make them as silly as possible.
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The point with me is that it's always been, even with the stand-up, that the music has to be right. You have to take it seriously. You have to try and play it as faithfully as possible. That way it helps the comedy. Rather than just playing it in a silly way.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
I think, one day, I might actually try writing a bunch of - a collection of essays maybe on the funnier side of the spectrum. I don't know. But it's fun to have, frankly, Twitter as kind of an outlet. When you're writing about dark things all day, it's kind of fun to have fun.
The best way to describe my work is comedy in a very, very real way. I'm not scared to look silly on camera. I take everyday situations we all go through and put a very real twist on it - things people can relate to.
If history shows anything, it is that there's no better way to justify relations founded on violence, to make such relations seem moral, than by reframing them in the language of debt—above all, because it immediately makes it seem that it's the victim who's doing something wrong.
I seem to thrive by destroying the last thing I did, in a kind of cartoon Nietzsche way. Emerson says in "Experience" something like "every ultimate fact soon becomes the next in a series." The self feels more real when you are destroying things you've made than when you are paying them homage. That's the good news about being self-destructive. The bad news, I feel I don't need to deliver.
Children love making things, but they don't get the same opportunities now as practical subjects seem to be sidelined. I would love to see schools offering much more in the way of practical subjects to let children see what they can do.
When I did comedy I made fun of myself. If there was a buffoon, I played the buffoon. And people looked at me and said, "Gee, that's like Uncle David", or "That's like a friend of mine.". And they related through that. I didn't make fun of them. I made fun of me.
If you're not [Federico] Fellini you might make something very vulgar. Animation made it possible to maintain unity with all these different narratives.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
I want the pleasures of the real exploitation movie, and exploitation has changed so much in 40 years. Plenty of people grow up with this fantasy of, "We're going to do it like Roger Corman did it," as that sounds so fun. If you make something small, goofy and exploitative, it's nowhere near the guaranteed moneymaker it might have been 40 years ago. If you look at the way the world works now and money is made, it doesn't seem that fun. Maybe that's just a mental block I have and I need to get over that and find that corner where you can make money and still have a good movie.
What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.
I take my fun very seriously, whether it's playing the drums or acting in comedy bits. The need to be disciplined about it, and not take it lightly, and not be too casual, is something I take deeply to heart.
True violence, not the kind you usually see in television or movies, touches something very deep and primal in people.
I approach a comedy the same way I do a drama. I try to make it as real as possible.
There was a series called 'Game of Thrones' which was very popular here in the United States, a post-Tolkien kind of thing. It was garbage, yet very addictive garbage - because there's lots of violence, all the women take their clothes off all the time, and it's kind of fun.
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