A Quote by Michael Chiesa
I think Neil Magny gets picked on a lot because people don't think he is that good. I like the guy a lot.
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I've always been into the not stereotypical hunk guy - I'm into dorky, like I call it adorkable. And I think that a lot of girls are into that. I think there's something disarming about it and endearing and also puts you at ease and there's an attractiveness there - it's like a good sense of humor, self-deprecating, weirdness. You know? Because I think we all have that in ourselves, but we just try to hide it because it's not "cool," but a lot of people can kind of relate to that feeling or the outsider feeling.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
I got into a lot of fights, but it wasn't because of my name. Being from the neighborhood with a name like Chauncey, people think I got picked on. But a lot of strange names come out of the neighborhood.
I'm not really into religion, OK. I saw a lot of things I did not like when I got into organized religion. I think a lot of people abuse it, I think a lot of people use it, I think a lot of people make it what they want. And me, my faith and my relationship with God is very personal. And it's not anybody's damn business how we talk.
I think he gets a lot of respect just because he's my dad, too. Even if he hadn't had any experience. But I think he comes with a lot of experience and all of that as well, so I think people enjoyed working with him and had fun and also respected him, which was nice.
I healed people, emotionally and physically, through my music. I get a lot of e-mails from people who are suffering through a lot of problems. They tell me they put on a Neil Sedaka record, and it's like medicine. It picks them up, and gets them out of their unfortunate situations.
I think a lot of people - to be candid about it - are like, if Donald Trump can be president, so can I. And I think there's a whole crop, a new generation of people who aren't on the tip of anyone's tongue, just like Bill Clinton wasn't on anyone's tongue; just like a lot of people didn't expect Barack Obama to take off like he did. I think we will have a lot of new people running, and there are obviously a lot of fantastic people who have run before, or standard-bearers, right. All right. So, I think there's just going to be a ton of those people.
I'm one of those people that thinks the world changes in smaller and in more mysterious ways than a lot of people like to think. A lot of traditional charities and organizations do things that on the surface seem like a good idea, but it doesn't change the way that people think about interacting with other people.
I would like people to know me for who I am, especially since I think people have a very skewed image of me. I was playing a lot of cute characters, a lot of little girls; I was objectified. And I don't want people to think of me as that because it's not who I am, and because I've seen a lot of hostility towards that image.
I think, you know, people think of the city of New Orleans as a parochial place where it's a lot of folks who are from there and a lot of big families, a lot of musical families, a lot of history, a lot of tradition, but I like to think of New Orleans as an idea.
I just think to pose for the Body Issue is a good idea for people that are bigger-boned. If people can look at me, a guy that's 325-plus, doing an issue like this, I'm pretty sure that they might have a little confidence. There will be critics, just like with everything else. I think a lot of people will get a laugh out of it, I'll tell you that. I'm looking forward to what the locker room's going to say. But at the end of the day, I'm perfectly fine with who I am as a person and what I have accomplished. It shows a lot of my personality.
There's also a lot of stuff that's not really good that gets written so I say to people who are excited about writing for the first time that if you think you have it, go for it because there are people that achieve it and don't have it.
A lot of people have asked me what's it like being an American player in Europe. 'Do you have to earn more respect because you're American?' But I don't think it's like that at all. I think if you're good, you're good. They don't care where you're from or anything like that.
The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.
There's a lot of good rappers in England at the moment. There's a lot of good dance acts. A lot of good, young guitar acts. I think a lot of groups came from that dole culture of the late 80's/early 90's - it's not as easy now. I think there's a dearth of working class bands.
I think a lot of people think I'm either unintelligent because I'm a very happy person and I have a lot of energy or that it's a fake happiness, like fake energy. I completely understand that because it's a lot to handle, and I am a very emotional human being.
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