A Quote by Michael Chiesa

I just don't throw things against the wall that aren't gonna stick. — © Michael Chiesa
I just don't throw things against the wall that aren't gonna stick.
By the time I got to Harvard, I feel like I knew who I was, and my job there was to throw as much against the wall as possible, to see what would stick.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
Most regular superhero books are designed to go on forever; of course, very few of them do, but the point is they are trying to throw mud against the wall and hope it will stick, and most of it slides off.
Throw your stick and stones, throw your bombs and your blows, but you're not gonna break my soul.
Dude, I throw a stick. Come on. I get paid a pretty good salary to throw a stick.
Every time I meet the CEO of a record label I tell them how they did it in the seventies because they want to know. I tell them, "Sign a hundred people! Throw it against the wall and see which ones stick!" And they frown and say, "Oh, we can't do that!" and they start mumbling about demographics and this and that.
I think I'm a really hard worker, and I feel like my attitude is to just enjoy the process of being creative and developing and 'just throw a bunch of stuff against the wall and see what sticks.'
I have faith in the pendulum swinging. Right now it's so far against the wall that it can't go any farther; it's gonna start to swing back. That's my optimism. One of the cures is gonna be getting the American people to fully wake up. All the American people, particularly young people, because they're gonna inherit this earth; they're gonna inherit what we're doing.
I never have [suffered writer’s block], although I’ve had books that didn’t work out. I had to stop writing them. I just abandoned them. It was depressing, but it wasn’t the end of the world. When it really isn’t working, and you’ve been bashing yourself against the wall, it’s kind of a relief. I mean, sometimes you bash yourself against the wall and you get through it. But sometimes the wall is just a wall. There’s nothing to be done but go somewhere else.
I used to throw a lot of stuff against the wall, just to see what ended up sticking; now I'm pretty much using everything that I create for a record.
When I'm making the music, I feel like everything I throw out has to work. It counts. Because if you don't have people turning they neck all the way around to see what it is, it ain't stick on the wall.
My parents told me they were going to kill me at least a thousand times growing up. "I'm gonna kill you," and then they'd whack me on the side of the head or whatever. And "What's wrong with you?" And "I'm gonna lock you up," and "I'm gonna throw you out the window," and "I'm gonna kill you." You know, all these things that you say in the heat of a normal chaotic household.
In life you throw a ball. You hope it will reach a wall and bounce back so you can throw it again. You hope your friends will provide that wall.
What's the point in wasting a perfectly good brick wall when you have someone to throw against it, that's what I always say.
We do have pictures on the wall, in our office in Belfast where we spend half our time. All the head shots are on the wall. So yeah, we just throw darts at the ones we don't want anymore.
Sometimes you're gonna write a song and it's not gonna be right from the beginning. And you're just gonna have to work through that wall. But if you know something is there, you've gotta just keep doing it until you get it right. So, I'll work on a song for three months if I have to, to get it right.
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