A Quote by Michael Clarke
Conditions dictate how much fast bowling you face compared to how much spin you face.
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At the hour of death when we all come face to face with God we are going to be judged on love: how much we have loved, not how much we have done but how much love we have put in our action.
I could only try to comfort the women that I came face-to-face with. I was really moved by how much they wanted to talk, how much they needed to be comforted, and how happy they were that we were there.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
How far you go depends on what you want for yourself, how much you're willing to leave on the floor, and how much you wanna face the fears you have inside of you. It's everything we're all dealing with every day.
Fast bowling is an art, like spin bowling.
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Love doesn't last." She didn't know how much showed her pale face. Meribah's face softened. "Sometimes it does. If it's the right kind.
Bowling in sub-continental conditions is not easy for a fast bowler. You have to be consistent and persistent to succeed, especially when you are bowling to the likes of Sangakkara, Mahela, Samaraweera, and Dilshan.
I'm feeling how profoundly my family disappointed me and in the end how I retreated, how I became nothing, because that was much less risky than attempting to be something, to be anything in the face of such contempt.
When somebody's face-to-face with you saying, 'I may not have been here had I not read your book,' how do you respond to that? The first several times I traveled, it was almost too much. I was totally grateful, but emotionally, it was really hard.
In terms of how much pain they cause, injuries change over time and how much the elbow hurt varied while I was bowling. At times, it felt a lot better, and at times it was worse.
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I move my face so much because I'm very much expressive. I'm told a lot, 'Stop moving your face'. Because on camera, the tiniest movement tells so much, and it looks really hammy.
The faster you go, the more students you leave behind. It doesn't matter how much or how fast you teach. The true measure is how much students have learned.
I'm now in my mid-thirties, so I look in the mirror and my face is changing, and I have a different relationship all of a sudden with myself. Your face changes, things change - that's just kind of what happens. It's hard, though, in this industry, because I think so much importance is put on how you look, and I'm not brave enough to be like, "You know what? I'm just going to let it happen. Whatever. I'm so cool with every line on my face."
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