A Quote by Michael Connelly

I'm a pretty harsh critic when it comes to my own stuff or things that come from my work. — © Michael Connelly
I'm a pretty harsh critic when it comes to my own stuff or things that come from my work.
Be a harsh critic of your own wins.
I'm so hard on myself and a really harsh critic of my work.
I'm harsh on myself. But let's be honest: I'm not as harsh as the online one-star critic who says, 'This book is boring and stupid and smells like poo.'
I'm usually a fairly harsh critic. It depends. I tend to really not watch my work, because I just feel uncomfortable, and I can be highly critical.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
I can be pretty harsh and judgmental. I'm a very harsh and judgmental person. I like morals, right and wrong. I like to see things in black-and-white when I can, so I will hold a lot of guys to an impossible standard.
The novelist must be his own most harsh critic and also his own most loving admirer and about both he must say nothing.
The sincere artist is usually his own best critic, but continuous and prolonged work on one painting will sometimes dull his judgment... The critic is in demand, but he must be competent.
The hardest thing in the world is being a critic of your own work. For me time has always been the best critic. If I can put something away and then come back, it's like taking a painting you're working on, turning it upside down, squinting at it, or walking away to get a new view. Time helps you know whether it's worth saving or whether it should be dumped.
I'm a harsh critic of the status quo.
I DJ and I'm a harsh critic of DJs.
I'm a harsh critic, you know? I am.
I started out from a pretty modest background, so I always had a pretty good sense of money. I always had to work for my money, save my own money, I always bought my own stuff with my money... trying not to waste money unnecessarily.
I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
I wanted my own rock band and stuff like that, but things didn't work out. I didn't have the patience to write my own songs and learn it and everything.
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