A Quote by Michael Connelly

As a bassist he could never really be a sideman. He was always the anchor. He drove the beat. even if it was behind Miles Davis'a horn. — © Michael Connelly
As a bassist he could never really be a sideman. He was always the anchor. He drove the beat. even if it was behind Miles Davis'a horn.
I just really liked those trumpets and horns - Miles Davis, Dizzy Gillespie - and I honed in on that. I always looked for those big horn lines.
One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
I'm a romanticist in many ways. I never get behind the wheel of my boat and dropping the anchor without saying to myself, secretly giving my orders to the crew "All right, lift the anchor, we're on our way to South Hampton. We're gonna beat them there with this load of tea!"
I thought, If I'm gonna run a jazz club, if I've got Miles Davis' posters in my bar, I should at least know what his horn sounds like.
You know, John Coltrane has been sort of a god to me. Seems like, in a way, he didn't get the inspiration out of other musicians. He had it. When you hear a cat do a thing like that, you got to go along with him. I think I heard Coltrane before I really got close to Miles [Davis]. Miles had a tricky way of playing his horn that I didn't understand as much as I did Coltrane. I really didn't understand what Coltrane was doing, but it was so exciting the thing that he was doing.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot and coincidentally we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot, and coincidentally, we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
My first ambition in life, I made up my mind I was going to become Miles Davis. I studied music, music theory. I played trumpet for nine years. One day, my mother explained, 'You can't be Miles Davis. There's one, and he's got that job.'
I saw Al Foster with Miles Davis the other week. It was beautiful. But, the whole thing was, Al Foster played as well as everybody else, but all of them were quite brilliant under Miles Davis' direction.
My dad always taught me never to give up in my mind. You can never really beat me. It sounds ridiculous, but I will always come back for you. You can't beat someone who never gives up. I could lose 100 times to you, but I will always get you. I will die trying. This applies not only to swimming but to my life as well.
For me, a wake-up playlist completely depends on what mood I'm in. If I need to get into action pretty quick, it will be between Beyonce and Miles Davis. I'm a massive Beyonce fan, and all of her anthems will do it for me. And Miles Davis, because I grew up hearing his music because my dad played it a lot, so that will always be special to me.
I never considered Miles Davis a perfectionist; I always considered him as an excellence-ist, where deviation is actually kind of cool.
It's called 'Miles Davis, Prince of Darkness,' and it's about Miles Davis, the genius, and why he was the way he was, and how he changed music so many times. He changed music six times. So, I'm excited about that movie.
I grew up in Shropshire, but I was born in Wales. There was a hospital seven miles away, but my dad drove 45 miles over the Welsh border so I could play rugby for Wales. But as a skinny asthmatic, I was only ever good at swimming.
I'm the ultimate rock 'n' roll sideman. But that doesn't mean a 'sideman' isn't vital.
Someone should have a record that doesn't have any singing. It's my favorite Miles Davis record. I love hanging out in the summer, in New York, when it's miserably hot. I love electric Miles Davis in the summer. Jack Johnson, the songwriting especially, is a premier example of that. It always makes me feel hot in the city. It's also nice to have something not yelling in your ear. For me, as a lyricist, it's nice to put on something without any words.
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