A Quote by Michael Connelly

When I am so intensely involved with writing my books I don't like to reread them. — © Michael Connelly
When I am so intensely involved with writing my books I don't like to reread them.
When I am so intensely involved with writing my books, I don't like to reread them. I feel like that story is done.
I reread "Ball Four" by Jim Bouton, the father of all sports books. Aside from that, and books like?"Out of Their League" by Dave Meggyesy, sports books generally pull their punches.
By the time I am nearing the end of a story, the first part will have been reread and altered and corrected at least one hundred and fifty times. I am suspicious of both facility and speed. Good writing is essentially rewriting. I am positive of this.
I don't often reread my own books, unless I am going into another in the series and need to refresh my mood when originating the concept.
I don't often reread my own books, unless I am going into another in the series and need to refresh my mood when originating the concept
Lists of books we reread and books we can't finish tell more about us than about the relative worth of the books themselves.
Fahrenheit 451 is one of those books that is about how amazing books are and how amazing the people who write books are. Writers love writing books like this, and for some reason, we let them get away with it.
I love books. I want to read them, and I want to own them so they're always available to be reread.
Listen, first of all, my wife is my best friend. My love for her is deeper than anything. The reality is, I'm not involved, I wasn't involved and I'm not going to be involved. Am I concerned for both of them Sure there's concern from me. I'm more worried about them than me. I'm like you guys, I'm trying to figure it all out.
I am through generalizing about ideas apart from men who generate them. I am through writing books about the dead, or writing books about the living to the unborn (tucked away as Literature) or writing books about the unborn to the living (whiffed away as prophecy). I put up my life on advertising the living to the living, on making men of genius known to the people and interpreted to their time, that the time in which I live, may live face to face with its men of vision and that they may live face to face with one another.
I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.
I want to see children curled up with books, finding an awareness of themselves as they discover other people's thoughts. I want them to make the connection that books are people's stories, that writing is talking on paper, and I want them to write their own stories. I'd like my books to provide that connection for them.
Reread, rewrite, reread, rewrite. If it still doesn't work, throw it away. It's a nice feeling, and you don't want to be cluttered with the corpses of poems and stories which have everything in them except the life they need.
I re-read a lot of books that I like a lot. There are some books that I try to reread every couple of years. A good book changes for you every few years because you are in a different place in your own life.
Writing is a intensely personal activity. I can pen down my best thoughts when I'm alone. But when one is elevated into the stature of an author, you have to think about your books in terms of their business angle.
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