In 1995, I sold the rights to Harry Bosch to Paramount. They had several screenplays written, but a movie never happened. Harry Bosch went on the shelf, and I had to wait 15 years to get him back.
I wrote a story about a character who looks like Harry Styles. But it has nothing to do with Harry Styles at all.
There are nineteen Harry Bosch books, and someone told me if you add up the descriptions of Harry from all of them, it would come to less than three pages. He's very elliptically described over the two decades during which the novels occur. I did that by intention.
My entire career writing novels was wrapped up around Harry Bosch. This character was too important to me to just hand off.
People like the Bosch books because they like Harry Bosch, not because the plots are fantastic.
On 'PG-13,' the way I wrote that is that I would get my tracks ahead of time and then I would write for them, and I wrote fairly quickly.
I think it's pretty apparent who my favorites are because I keep coming back to them. At the top of that list would be Harry Bosch, who's now going on 20 years of literary life. I still like him the best because there's still a lot to say about him.
When I write about places in L.A. - like where the best taco truck is or something - it's not about L.A. To me, it's about Harry Bosch, because he's the guy that does these things and has this experience.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
It's about being fair. It's about Black Lives Matter. Yes, they matter. Everybody counts or nobody counts, and I think if more cops had the philosophy of Harry Bosch, we'd have less of these situations happening.
There's not much a newspaper reporter can do about dead men. But a newspaper reporter and a cop and a judge can deliver some justice. That's why the founding fathers wrote it up the way they did, I suppose. Life. Liberty. Pursuit of happiness. Everyone is entitled to those things.
I hate people thinking their city is unique, but there is a certain aura about Los Angeles; it's not necessarily a beautiful thing, but it's part of Harry Bosch.
I am not covering stories as a transgender reporter. I'm a reporter who is transgender. Otherwise, it would be like having a black reporter only cover stories about blacks or a Hispanic reporter covering stories about Hispanics.
I chose deliberately for Harry Bosch to age chronologically with the books.
I don't write a whole lot about one person that exists in reality; it's usually characteristics of different people that I combine into a character. I tend to think through and try and make characters behave in a natural way. I follow the character and think about what they would do, what decisions they would make.
My whole reputation and creative thought as a novelist is really wrapped around Harry Bosch, so he's near and dear.