A Quote by Michael Connelly

When I write about Mickey Haller as the Lincoln lawyer, I totally see Matthew McConaughey because he took that character when that character was still fairly new to me - only two or three years old - when I knew McConaughey was going to play him. He's also the same age, the right age, in comparison to the book.
Usually when I see Matthew [McConaughey] at a show, he'll be down in front with his shirt off with two beers just going mental, lit up and having an amazing time.
One of the things I love about working with my brother is that there's a commitment there - an unwavering commitment. From our basement in Illinois when I was three years old to Iceland on a frozen glacier with Matthew McConaughey and Matt Damon in spacesuits - there's a commitment to the pure spectacle, the pure cinema of it.
I could not have been happier with 'The Lincoln Lawyer.' They got the essence, and the casting, starting with McConaughey, was just perfect.
There’s an old writing rule that says ‘Don’t have two character names start with the same letter’, but I knew at the beginning that I was going to have more than 26 characters, so I was in trouble there. Ultimately it comes down to what sounds right. And I struggle with that, finding the right name for a character. If I can’t find the right name I don’t know who the character is and I can’t proceed.
I wrote 'Mud' for Matthew McConaughey and had never met him.
Matthew's all right. Originally, I wanted Errol Flynn, but McConaughey should be good as Dirk Pitt.
I spent a chunk of time in New Orleans doing the movie 'Free State Of Jones,' getting to work with Matthew McConaughey, and also did 'Concussion,' where I got to work with Will Smith.
It was the first time I worked with Matthew McConaughey [in the True Detective].They're fun guys [with Woody Harrelson]. They don't take life at all too seriously, but yet they take their work very seriously. And both of them are just so committed to character and the story.
If I had to pick somebody I really had a crush on right now - solely based on looks alone - it would be Matthew McConaughey. He does it for me.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.
I am a huge fan of Leonardo DiCaprio and Matthew McConaughey.
The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.
I've always wanted to hit that, like, '13 Going on 30;' 'Failure to Launch,' Matthew McConaughey; 'What Happens in Vegas,' Cameron Diaz, Ashton Kutcher' wave.
To start your life as a character of 120 years when you are in your late thirties, and then go back in time about 20 years later to play the same character who is your own age then, its very complicated, but very interesting.
If I just cut out the food, I'd have a six-pack. I'd look like Matthew McConaughey.
I was working with the likes of Steve McQueen, Matthew McConaughey, Viola Davis, just running the gamut.
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