A Quote by Michael Connelly

I'm a disciple of Raymond Chandler, who said in his essays that there's a quality of redemption in anything that can be called art. — © Michael Connelly
I'm a disciple of Raymond Chandler, who said in his essays that there's a quality of redemption in anything that can be called art.
In everything that can be called art there is a quality of redemption.
If Raymond Chandler came from the South, his name would be Ace Atkins.
Raymond Chandler I love a lot, and the Austrian writer Thomas Bernhard. I really love his voice.
I'm going to get hated for saying this, but honestly, fantasy is easy to write because you can do anything. It's like when Raymond Chandler brings in a bloke with a gun when he's stuck - in fantasy, up pops a wizard, and off we go.
I don't much live my life as if I was living in a Raymond Chandler novel, which is probably a good thing.
I'm very similar to Chandler in many ways, although Chandler is funnier than me, and Chandler absolutely hates his job whereas I absolutely love my job.
Raymond Chandler managed to write about L.A. his whole career. Should I keep going writing about New York? Is that what I should be doing? Songwriting doesn't work that way.
And every place and time an author writes about is imaginary, from Oz to Raymond Chandler's L.A. to Dickens's London.
Raymond Chandler once wrote that Dashiell Hammett gave murder back to the people who really committed it.
[Raymond] Chandler, I reread him, and there's a lot of bad writing there. I don't think he knew much about people.
The disciple simply burns his boats and goes ahead. He is called out... The old life is left behind, and completely surrendered. The disciple is dragged out of his relative security into a life of absolute insecurity... out of the realm of the finite...into the realm of infinite possibilities.
I not only read Raymond Chandler but read all the crime fiction classics. I was hooked.
Michael Chandler's performance in his UFC debut was great. His opponent was great, but it felt like he was mentally unprepared to face Michael Chandler. He crumbled to his pressure and movement early.
My literary heroes all wrote about L.A.: Joseph Wambaugh, Ross Macdonald, and Raymond Chandler were the three writers that made me want to be a writer.
With 'The Big Lebowski,' we were really consciously thinking about doing a Raymond Chandler story, as much as it's about L.A.
What brought me to the table was Raymond Chandler and, to a lesser degree, Ross Macdonald and Dashiell Hammett. I was basically inspired to want to write like the classic private-eye writers.
This site uses cookies to ensure you get the best experience. More info...
Got it!