A Quote by Michael Connelly

I learned to write crime novels by reading people I hoped to emulate: people like James Lee Burke, Lawrence Block, Joseph Wambaugh, and Sue Grafton. — © Michael Connelly
I learned to write crime novels by reading people I hoped to emulate: people like James Lee Burke, Lawrence Block, Joseph Wambaugh, and Sue Grafton.
When Joseph Wambaugh writes about the LAPD, you listen because you know he knows the scene. Lots of people write cop novels, but they don't have that authenticity.
In crime, I like Ian Rankin and James Lee Burke. As for historical books, I enjoy Bernard Cornwell, Patrick O'Brien, and C. S. Forester - anything with battleships!
Now [Sue Grafton] loves writer's block, seeing it as a message from the psyche that the narrative is headed in the wrong direction.
...wrote Lawrence Block. "Someone once told me that fear and courage are like lightning and thunder; they both start out at the same time, but the fear travels faster and arrives sooner. If we just wait a moment, the requisite courage will be along shortly." (quoted from Write for Your Live by Lawrence Block)
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
We had all these famous writers in Sweden and from all over the world home at dinner. I wanted to be a writer, and I wanted to be a highbrow writer as my father. He never, ever read anything like crime novels. He wrote biographies of Dante, James Joyce, August Strindberg and Joseph Conrad.
Oh, I am very old fashioned about my literature taste. I like Henry James. I like George Elliot. I like Dostoyevsky. I like the old people. I really do. I like people who write big, fat, juicy novels you can get completely lost in!
Two people have been really liberating in my mind; one is Wittgenstein and the other is Burke. I read Burke before he was a secular saint, before everyone was reading him.
My preferred genre of reading is crime thrillers - books by Harlan Coben, Jo Nesbo, David Baldacci, James Patterson, Ashwin Sanghi and a few others - and I write crime thrillers.
Don't Shoot is a work of moral philosophy that reads like a crime novel - Immanuel Kant meets Joseph Wambaugh. It's a fascinating, inspiring, and wonderfully well written story of one man's quest to solve a problem no one thought could be solved: the scourge of inner city gang violence This is a vitally important work that has the potential to usher in a new era in policing.
As I look at my own precious children, I feel, like Joseph, that I have been entrusted with a great treasure. Recognizing that Joseph was a strong, responsible, and loving man who sought and received revelation to care for his family, I am inspired to emulate those qualities. In those moments, the gift I hope to give my Lord that year is to be more like Joseph the Carpenter.
The Ploughmen is as good a book as I’ve read in years. Kim Zupan’s language is as rich as Cormac McCarthy’s, and like Cormac’s, it comes from ground-zero of the heart. I’m also reminded of James Lee Burke’s sure-footed prose and delight in metaphor. Luminous...nothing short of brilliant...a firstnovel that leaves me impatient for the next.
Joseph Wambaugh did not invent the police novel, but no one had seen anything like 'The New Centurions' when it was published in 1971. Here was a working, living, breathing cop with a decade of experience on the beat.
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught.
In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.
That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
This site uses cookies to ensure you get the best experience. More info...
Got it!