A Quote by Michael Connelly

The TV audience is way bigger than a book audience, and no matter what I do, I'm always thinking if this will help people read my books. — © Michael Connelly
The TV audience is way bigger than a book audience, and no matter what I do, I'm always thinking if this will help people read my books.
I can write any kind of novel I want, any time, and sell it, but there's not that many people watching it. Even a low-rated TV show is a couple million more people than read my books. You want to be read, in essence. If you're a television writer, you're a writer and you want people to read your stuff. You're still reaching a bigger audience, that way. That's a philosophical way to look at it.
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
I tend not to think about audience when I'm writing. Many people who read 'The Giver' now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience.
I tend not to think about audience when I'm writing. Many people who read "The Giver" now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience.
When someone says "that resonates with me" what they are saying is "I agree with you" or "I align with you." Once your ideas resonate with an audience, they will change. But, the only way to have true resonance is to understand the ones with whom you are trying to resonate. You need to spend time thinking about your audience. What unites them, what incites them? Think about your audience and what's on their mind before you begin building your presentation. It will help you identify beliefs and behavior in your audience that you can connect with. Resonate with.
One hopes that with a book or movie, the reader or the audience will emerge from it thinking. That's the most you can hope for: that you've raised questions that will be there for the audience to think about later.
The stage is bigger than life. There you are projecting to an audience. In television, you're drawing the camera in to you. And with TV, there isn't that immediate feedback from an audience. You do hours and hours of taping and never get that response.
I've done quite a few films that are based on books, and it's always nerve-wracking because there's an audience who has read and loved the book, and what if they see the movie and hate it?
Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.
I think that some books are more successful than others to certain readers. People who read my books for the humor, they're going to love one book. People who read my books for the mystery, they might not like that book quite as much.
There's a tremendous audience out there for popular music. It's a bigger audience than for movies.
My father always said, 'Never trust anyone whose TV is bigger than their book shelf' - so I make sure I read.
My father always says, ‘Never trust anyone who has a TV bigger than their bookshelf.’ So I make sure I read. Back at home, I just put up a massive bookcase and asked everyone I know and love to help me fill it with their favorite books. It’s been quite nice because I’ve learned a lot about my friends and family from what they’ve been giving me. A book says a lot about a person.
When you're trying to do a traditional book musical like 'Book of Mormon,' it's always nice to have characters that could very naturally break into song, and its good to pick a subject matter that allows that to happen in a way that doesn't disarm the audience.
When you read the book, you paint the picture but when you adapt a book then the audience will, by and large, say the book was better and every filmmaker knows this.
I like the idea of standalone novels. I always found with series of books, it's something that publishers love obviously because they can make a lot of money and they build an audience from book to book, but I don't like that as a writer. I prefer the idea of just telling a story, completing it within your book, and moving on and not forcing a child to read eight of them.
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