A Quote by Michael Connelly
My entire career writing novels was wrapped up around Harry Bosch. This character was too important to me to just hand off.
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My whole reputation and creative thought as a novelist is really wrapped around Harry Bosch, so he's near and dear.
There are nineteen Harry Bosch books, and someone told me if you add up the descriptions of Harry from all of them, it would come to less than three pages. He's very elliptically described over the two decades during which the novels occur. I did that by intention.
In 1995, I sold the rights to Harry Bosch to Paramount. They had several screenplays written, but a movie never happened. Harry Bosch went on the shelf, and I had to wait 15 years to get him back.
As a former reporter, I wrote 'The Scarecrow' quickly - I didn't have to think about what the character would do the way I do with Harry Bosch.
I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.
People like the Bosch books because they like Harry Bosch, not because the plots are fantastic.
But as he reached the ground and sprinted towards the dais, Lupin grabbed Harry around the chest, holding him back. There's nothing you can do, Harry -' Get him, save him, he's only just gone through!' - it's too late, Harry.' We can still reach him -' Harry struggled hard and viciously, but Lupin would not let go... There's nothing you can do, Harry...nothing...he's gone.
After these three novels I gave up writing novels for a time; I was dissatisfied with romantic doom, yet didn't see much way around it.
When I was born, the umbilical cord came wrapped around my neck, so when I came out, I wasn't breathing. The cord had cut off my oxygen - not the entire time, just at the end, when my mom was giving birth. When I came out, I wasn't conscious, so they had to work on bringing me back. It was a crazy moment.
In terms of characters I wish I had created - just because I haven't dealt with anything like them - I'm really impressed by characters who can endure over time, whether that be a long series run like a Harry Bosch, or a character who endures over generations and continues to please readers: Sherlock Holmes.
I don't even know why, but my entire career is contemporary films. Entire career! There's no period movies - there's one - but there's no period movies, no special effects movies. I just do character studies and so, some of them are gonna bump into each other, but I love the challenge, with a good script. I love the challenge of playing not a very pleasant or attractive character that seduces an audience or wins an audience over by the end.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I started writing juvenile novels around 1985. I never really thought of it as a career, but more as a way to make a living.
I didn't know how story worked. So, when writing the screenplay, people introduced me to the science of it. And I'm grateful. I'll probably use that information for the rest of my career, in terms of writing novels or writing stories. And then, of course, to help me live a better story, a more meaningful story
You okay now ?" he asked. "Okay." He tightened his arms and lifted me off my feet. "Mercy?" he growled into my ear. I wrapped my legs around his waist. " Yeah" , I said. "Me too.
I chose deliberately for Harry Bosch to age chronologically with the books.
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