A Quote by Michael Connelly

I've been able to write at least one book a year for 20 years, and I don't think I would've had that kind of drive if I hadn't come out of the journalism business. — © Michael Connelly
I've been able to write at least one book a year for 20 years, and I don't think I would've had that kind of drive if I hadn't come out of the journalism business.
I used to think that: whenever I heard that someone had taken 10 years to write a novel, I'd think it must be a big, serious book. Now I think, 'No - it took you one year to write, and nine years to sit around eating Kit Kats.'
I used to think that: whenever I heard that someone had taken 10 years to write a novel, I'd think it must be a big, serious book. Now I think, 'No - it took you one year to write, and nine years to sit around eating Kit Kats.
I think Jennifer Lawrence is that inside of herself. As long as I've known her she's been both 10 years old and 50 years old. And we've watched her grow up since she walked on "Silver Linings Playbook" as a 20-year-old and had not been - "Hunger Games" had not come out. And I've watched her have to take on and deal with a great deal of attention and resources and people.
Getting to the point where I was ready to write a book has been about a 20-year journey of being, really honestly, too afraid to try - which I think is pretty common for people who are trying to write a large piece of fiction.
I have been working since I was 20, and I'm 38. I actually once averaged out what I had made over my professional life. I think I could have made that much as a waiter or an insurance salesman. You know, I spent so many years in my 20's making $10,000 a year.
Everyone does a style book, and I wanted to write a business book for people that didn't think they would like a business book.
I thought at 46 years old, I've been removed from the fashion industry for 10 years. I couldn't possibly write a model's book. That's for a 20-year-old. But I could say what I want to say without chastising the industry.
I'm still trying to figure out how to write about cancer and my family's experience with it. If I had been able to write 'The Pura Principle' back in those days, I'm positive it would have had no humor in it. Which means the story would have been false.
I had a normal childhood where I was able to cultivate my own creativity, and I don't think I would have been ready for this crazy business at 8 years old.
I got in journalism for any number of reasons, not least because it's so much fun. Journalism should be in the business of putting pressure on power, finding out the truth, of shining a light on injustice, of, when appropriate, being amusing and entertaining - it's a complicated and varied beast, journalism.
Get Up is basically the book I wanted to have my first year of sobriety. I wish someone had given me this book a year before I even went to a meeting because I was already miserable. I didn't enjoy drinking anymore, I just couldn't stand the idea of not doing it. I was afraid if I got sober I wouldn't be able to write anymore. That was a really big fear of mine, which turned out not to be true.
To have been able to write the books I wanted to write, on demanding subjects like war and the history of psychiatry, and for them to have sold in the numbers they have - and then go around saying: 'Actually, I'd also like to have won the Costa Book of the Year?' That would be ridiculous.
I had come out of retirement into a very difficult situation with the PeopleSoft takeover, got through it, and was having a good time, frankly. We just ran out of runway at PeopleSoft. Had we had another year, maybe two years, I think we would have made it.
There was a point where if you had told me I was going to be a national morning anchor, I would probably have been terrified. But now, I feel prepared. I've been in the business for almost 20 years now. I'm almost forty years old and I've been doing this for a long time, so I felt like, "Okay, I'm ready to do this."
If you think 20 years out and ask what's the most important company on the planet, it is not any company you could write down today. The most important company 20 years from now has not even been founded yet and doesn't have a name.
We started the band when I was about 19 or 20. At that age, it would have been kind of hard to imagine a lot of the stuff that I've written. We were playing garage rock. I wanted to dash out three chords and scream. But if you do that for 20 years, what's the point?
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