A Quote by Michael Connelly

My whole reputation and creative thought as a novelist is really wrapped around Harry Bosch, so he's near and dear. — © Michael Connelly
My whole reputation and creative thought as a novelist is really wrapped around Harry Bosch, so he's near and dear.
My entire career writing novels was wrapped up around Harry Bosch. This character was too important to me to just hand off.
In 1995, I sold the rights to Harry Bosch to Paramount. They had several screenplays written, but a movie never happened. Harry Bosch went on the shelf, and I had to wait 15 years to get him back.
People like the Bosch books because they like Harry Bosch, not because the plots are fantastic.
There are nineteen Harry Bosch books, and someone told me if you add up the descriptions of Harry from all of them, it would come to less than three pages. He's very elliptically described over the two decades during which the novels occur. I did that by intention.
I chose deliberately for Harry Bosch to age chronologically with the books.
As a former reporter, I wrote 'The Scarecrow' quickly - I didn't have to think about what the character would do the way I do with Harry Bosch.
Malfoy glanced around. Harry knew he was checking for signs of teachers. Then he looked back at Harry and said in a low voice, "You're dead, Potter." Harry raised his eyebrows. "Funny," he said, "you'd think I'd have stopped walking around.
I'd seen Titus Welliver in a few shows and felt he had some inner demons in his portrayals, as does Harry Bosch.
I hate people thinking their city is unique, but there is a certain aura about Los Angeles; it's not necessarily a beautiful thing, but it's part of Harry Bosch.
Shelley Jackson's 'Half Life' is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman.
But you're dead," said Harry. "Oh yes," said Dumbledore matter-of-factly. "Then...I'm dead too?" "Ah," said Dumbledore, smiling still more broadly. "That is the question, isn't it? On the whole, dear boy, I think not.” They looked at each other, the old man still beaming. "Not?" repeated Harry. "Not," said Dumbledore. "But…" Harry raised his hand instinctively toward the lightning scar. It did not seem to be there. "But I should have died—I didn't defend myself! I meant to let him kill me!" "And that," said Dumbledore, "will, I think, have made all the difference.
In terms of characters I wish I had created - just because I haven't dealt with anything like them - I'm really impressed by characters who can endure over time, whether that be a long series run like a Harry Bosch, or a character who endures over generations and continues to please readers: Sherlock Holmes.
But as he reached the ground and sprinted towards the dais, Lupin grabbed Harry around the chest, holding him back. There's nothing you can do, Harry -' Get him, save him, he's only just gone through!' - it's too late, Harry.' We can still reach him -' Harry struggled hard and viciously, but Lupin would not let go... There's nothing you can do, Harry...nothing...he's gone.
When I write about places in L.A. - like where the best taco truck is or something - it's not about L.A. To me, it's about Harry Bosch, because he's the guy that does these things and has this experience.
I was born in Den Bosch, where the painter Hieronymus Bosch named himself after. And so I've always been very fond of this painter who lived and worked in the 15th century.
If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.
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