A Quote by Michael Connelly

I write puzzles and mysteries. Nothing too highfalutin. — © Michael Connelly
I write puzzles and mysteries. Nothing too highfalutin.
Puzzles lead to logical answers; mysteries often force us to stretch language to its limits in an attempt to describe a reality that is just too great to take in properly.
Murder mysteries are puzzles that are fun to resolve.
Curiosity, easily frightened, takes refuge in puzzles, murder mysteries, and spectator sports.
I'm not a fan of mysteries, so to prepare for this experience of writing a mystery I started reading the most successful ones in the market in 2012. And I realized I cannot write that kind of book. It's too gruesome, too violent, too dark; there's no redemption there.
I never had a highfalutin' view of what I write.
I thought at first that I might write mysteries, but then I said, 'Mysteries have plots, and I'm not sure I can do that yet.'
Part of my motivation for writing mysteries for young people is that I loved mysteries when I was growing up, and now that I'm on the creative end of things, I'm discovering that they're even more fun to write!
I realized that lab research was the perfect path for me. It allowed me to spend every day figuring out mysteries/puzzles that have to do with what make us alive. What could be a bigger mystery or puzzle?
Women are like puzzles because prior to 1920 neither had the right to vote. Puzzles still don't.
The mysteries and scandals of the Kremlin are nothing compared to the mysteries and scandals of the Bolshoi.
If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less.
...Nothing puzzles God
Where nothing in a person's earlier years lends itself to an old age devoted to continuing intellectual and physical pursuits, a late-life interest in Tolstoy or even crossword puzzles is unlikely to appear, no matter the urging by well-intentioned social workers or people like me who write books about it.
I started writing in my 20s. I just wanted to write, but I didn't have anything to write about, so in the beginning, I wrote entertainments - mainly murder mysteries.
Writing has nothing to do with publishing. Nothing. People get totally confused about that. You write because you have to - you write because you can't not write. The rest is show-business. I can't state that too strongly. Just write - worry about the rest of it later, if you worry at all. What matters is what happens to you while you're writing the story, the poem, the play. The rest is show-business.
A number of things in 'Dhalgren' are just meant to function as mysteries. They're mysteries when the book begins, and they're mysteries when the book ends.
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