A Quote by Michael Craig-Martin
The complexity of the language of images is disguised by the ease and rapidity with which we read them. I've tried to make work that is as transparent and simple as possible. No matter how much I strip away the result is always more complex to me than I expect.
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Complexity has and will maintain a strong fascination for many people. It is true that we live in a complex world and strive to solve inherently complex problems, which often do require complex mechanisms. However, this should not diminish our desire for elegant solutions, which convince by their clarity and effectiveness. Simple, elegant solutions are more effective, but they are harder to find than complex ones, and they require more time, which we too often believe to be unaffordable
We tried to make it more than just a cartoon. It was a cartoon, but we tried to make it more than it was to begin with. And I have 300,000 followers from Turkey, Romania, Poland, and places over there that love Life With Louie, where it was translated into their language. They love it. They are absolutely in love with it. And it just goes to show you: no matter where you go, it's always about family.
All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.
United Features had given me a development contract, which meant I was to work exclusively with them and rather than completing everything on my own and turning it in to them and having it rejected or accepted, I was working much more directly with the syndicate, turning in smaller batches much more frequently, and getting comments on them. The idea was that they would help me develop the strip and then, assuming that they liked it, it would flow into a normal contract for syndication.
Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'
When you're younger, you get scripts that you are too young for and now I'm getting scripts, which I think, "I'm too old for this character." They can always shift things around to make it work and make the ages work. But I'm definitely getting more complex and interesting roles and less what you would expect. So I can experiment more and have a bit more freedom when I'm putting things on tape.
People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.
In language at once stark and delicate, Suki Kim shatters the polemic of North and South Korea. She couples an investigative reporter's fierce desire to strip away the fiction of the Hermit Kingdom with an immigrant's insatiable hunger for an emotional home, no matter how troubled and no matter how impossible.
YOU WILL ALWAYS BE THE ONLY ONE FOR ME ' - I always want to be with you more than with anyone else. I always want to talk to you before anyone else. I always want to laugh with you * walk with you ? * read with you * play with you * be quiet with you * be noisy with you make plans with you discuss the past and future with you You will always be the person who makes me happy, content, excited and peaceful No matter how much time passes our love will not only prevail but it will be stronger than ever.
On one planet [earth], and possibly only one planet in the entire universe, molecules that would normally make nothing more complicated than a chunk of rock, gather themselves together into chunks of rock-sized matter of such staggering complexity that they are capable of running, jumping, swimming, flying, seeing, hearing, capturing and eating other such animated chunks of complexity; capable in some cases of thinking and feeling, and falling in love with yet other chunks of complex matter.
There are no more simple images... The world is too much for an image. You need several of them, a chain of images.
[Henry] James is much more complex than Jane Austen. That's why it's not so easy to adapt him. People expect a nice period piece, but that's not always the case. There's a deep human mystery in his work.
I'm working in this very complex set of issues having to do with who we are as a species and how much we can do to the Earth before it starts to buckle under. My work can easily read as an indictment, but I don't see it as that simple a problem.
Language makes it possible for a child to incorporate his parents' verbal prohibitions, to make them part of himself....We don't speak of a conscience yet in the child who is just acquiring language, but we can see very clearly how language plays an indispensable role in the formation of conscience. In fact, the moral achievement of man, the whole complex of factors that go into the organization of conscience is very largely based upon language.
When kids tried to pick on me, I always had one line to shoot them down with: 'I make more money in a week than you'll make in your entire life.' Which probably wasn't true, but they thought it was.
We assume, to begin with, that the individual is at least as complex in his internal structure as the language is which he speaks - otherwise, how could he speak a language which is complex?
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