A Quote by Michael Craig-Martin

I try to make images that have the immediate presence we take for granted in objects - a chair, a shoe, a book, a Judd - and compose them like sentences. — © Michael Craig-Martin
I try to make images that have the immediate presence we take for granted in objects - a chair, a shoe, a book, a Judd - and compose them like sentences.
I like making things. I enjoy putting words and images on a blank space. There should be joy in the writing itself because parts of it are so challenging and lonesome. I take great pleasure in reading, researching, and interviewing. I enjoy forming my sentences and revising them to make them clean.
I take pride in a lot of things people take for granted, so when opportunities come my way, I just cherish them and try to make the most of them.
I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
We take it for granted sometimes that certain parts of our history are told, and we take it for granted that we know all that stuff, and we move forward along on that basis, but there are also massive gaps, and we have to try to address them.
I try and take everyone's ideals, common morals, flip them around, make people look at them differently, question them, so that you're not always taking things for granted.
I've always been fond of the idea expressed in Buddhist art, that there are certain objects that, just by seeing them, can plant a seed for liberation in the individual. That class of objects is called "liberation through seeing." Certain Buddha images are like that, but if it were possible, I would like to find contemporary non-traditional sacred images. Maybe it sounds pretentious, but most spiritual paths point to the possibility that we all can access the deep, absolute dimensions of reality.
I've worked with Judd since 'Undeclared,' and once you work with Judd you never stop working with Judd.
I try to encourage people to think for themselves, to question standard assumptions... Don't take assumptions for granted. Begin by taking a skeptical attitude toward anything that is conventional wisdom. Make it justify itself. It usually can't. Be willing to ask questions about what is taken for granted. Try to think things through for yourself.
It's quite literally true that we are star dust, in the highest exalted way one can use that phrase. ...I bask in the majesty of the cosmos. I use words, compose sentences that sound like the sentences I hear out of people that had revelation of Jesus, who go on their pilgrimages to Mecca.
People take love's continuity for granted, just as they take their body's continuity for granted. They don't realize that the best thing about love is its regular presence. Once you can establish that, it's an added foundation to your life.
I came to painting through sculpture, to images through objects. I think that images sit in the middle, somewhere between objects and words.
Images work on so many different levels. As a writer you feel them, try not to get in their way or narrow them down to anything other or less complex. A writer is a curator of sorts - once you've brought the images together you try to stand at a respectful distance and let them speak for themselves. Try not to mess with their ambiguities and contradictions. They are what they are, irreducible. This is their integrity.
I'm a pretty decent writer. It comes easy to me. I don't agonize over sentences. I write like I talk. I try to make them good books.
I know that every time I step on the stage it's a real gift ,so I try not to take it for granted, and I try to make it an experience that the public can really participate in.
I know that every time I step on the stage it's a real gift, so I try not to take it for granted, and I try to make it an experience that the public can really participate in.
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