A Quote by Michael Craig-Martin
I've taken away everything I could think of, and yet what remains is enough. These days many more people come to my work, and once they see my work they will always recognize it.
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Television is just amazing - how many people see it and how many people recognize you, and I think once you've had the opportunity and have been in front of the public, it's very flattering to have people come up and say hello to you. It's a tremendous industry. I've been in places where people come out of the woodwork. And you would never think - small towns in France or traveling through Europe - and there are so many of those people there that recognize you, and you've been in their homes. I find it to be a very flattering thing.
We slowly work on getting more markets. We slowly work on building relationships. And over time once we gain people's trust and they see what we do and they see what we deliver each and every show, more and more people are interested in jumping on the Ring Of Honour train. I definitely think the success will continue.
You can see in my paintings, I've taken away the context, I've taken away the shadows, I've taken away expression, I've taken away the personal, and yet so much remains!
Every now and then go away, have a little relaxation, for when you come back to your work your judgment will be surer. Go some distance away because then the work appears smaller and more of it can be taken in at a glance and a lack of harmony and proportion is more readily seen.
Work hard, work away from the game, work when no one's looking, and just knowing that it's a process. Everything will come at the right time.
I don't find it uncomfortable that I'm recognized and liked by so many people. If that were hard for me, I wouldn't be doing this work. Rather, I think I'd be more sad when a day come when people don't recognize me.
I have no trouble walking around. But every once in a while, somebody will come, during the course of the day, and say, 'Oh, I recognize you from such-and-such,' and yeah, they'll make a connection. I think for the most part, people don't go, 'Where do I know him from? Does he work at the bank?'
I have always sought to be understood and, while I was taken to task by critics or colleagues, I thought they were right, assuming I had not been clear enough to be understood. This assumption allowed me to work my whole life without hatred and even without bitterness toward criticism, regardless of its source. I counted solely on the clarity of expression of my work to gain my ends. Hatred, rancor, and the spirit of vengeance are useless baggage to the artist. His road is difficult enough for him to cleanse his soul of everything which could make it more so.
Many people do not know how hard I work. There are many days I work more than 18 hours.
... to work, to work hard, to see work steadily, and see it whole, was the way to be reputable. I think I always respected a goodblacksmith more than a lady of leisure.
I always stayed away from the studio environment as much as possible. But I just wanted to see if I could work in one. It's not easy. Just having an engineer's assistant around is enough for me to be uncomfortable. With more than one person there in the room, it feels strange.
A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
I did a lot of work with early 20th century attitudes, the kind of superficial notions and behavior that prompt people who don't know history very well to think that "people were different back then" - but beneath all that are characters who react in ways that we can all recognize, and will always be able to recognize.
When you hear that my body has ceased to exist, please do not feel sad. Just look deeply and see that my life and work continue in so many friends, so many young people, in their own ways and through their work. I will continue in everyone and everything I have ever touched. I have nothinng to fear and nothing to regret.
I think, always, with a new book, I get nervous. I think mostly it is because work is really important to me, and a book doing well is important because it buys you another one. Not because of the money but if you keep doing interesting work, work that people like, they will want you to do more, and offers that are interesting come in.
I think that whether you've just begun writing or whether you've been writing for fifty years - I mean, I'm excited to get there and tell you about it when I do - I think that there's always the challenge of believing in yourself enough to get the work done and not being so taken with yourself that you're unwilling to continue to work on the work.
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