A Quote by Michael Crawford
In 2004, I was on the West End stage in The Woman In White, and for every show I had to climb into a fat suit to play the obese Count Fosco. It was hard work, and unbearably hot, but I sailed through because I'd always kept myself fit.
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In 2005, I played Count Fosco in 'The Woman In White' on Broadway. It was a disaster. I was physically run down and terribly homesick and I just knew I had to leave. I lasted three months before the producers released me.
I went through that stage every teenager goes through: Who am I? What am I? Where do I fit in? In my case I had to deal with newspapers saying I looked fat or tired or my hair was a mess. People always criticize: they either love you, or they don't. But you have to block that out and concentrate on the work. And I feel I am doing good work, and I'm finally getting to see who I really am.
On stage I have to be comfortable because I play guitar so I can't wear too much jewellery, it knocks against the guitar and makes loud noises. I had this big gold eagle necklace which I love but I kept whacking myself in the face with it so had to stop wearing it. I wear things that I can sweat in, basically... it gets really hot on stage.
I was up at Big Sur with Christopher Reeve and Christine Lahti, doing this woman in a big fat-suit - Mrs. Bassett in Tennessee Williams' Summer And Smoke - and my husband was in the show too, playing Lahti's fiancée. Every night he'd be proposing to beautiful Christine Lahti, and I'd barrel onstage in this fat-suit. I hated it! But I did it, because by then I knew that that was my casting.
He asked why and I said, 'Because Gwyneth has a fat suit, my wife has a fat suit - I don't get a fat suit?' He looked at me and said, 'You mean you don't have one on?'
I remember crying all the time. My major thing growing up was I couldn't fit in. Because I was from everywhere, I didn't have no buddies that I grew up with...Every time I had to go to a new apartment, I had to reinvent myself, myself. People think just because you born in the ghetto you gonna fit in. A little twist in your life and you don't fit in no matter what. If they push you out of the hood and the White people's world, that's criminal...Hell, I felt like my could be destroyed at any moment.
My skirt fell off on stage during a performance of Hairspray on Broadway, revealing my fat suit over my own natural fat suit. I turned to the audience and said, 'Now you know why I spent six years in a square.'
Constantly, I've been asked to make a sequel to 'Beckham.' However, I thought a West End show was the proper way to go. Once we made the show, I wanted to make sure that I embraced the West End genre rather than just put the film on stage.
I just look back on my season [2004] as a year where I've had to prove myself. I've had to fight all the way through to the end.
I had to wear a fat suit to play Mma Ramotswe in 'The No 1 Ladies' Detective Agency.' She's described as being like a small elephant, but she loves her body and size. When we were filming in Africa, it was 110F. It was torturous. I drank a lot of water and ate cucumbers all the time, and underneath the fat suit I shed pounds - I couldn't help it.
I've always turned down stuff where you had to be fat. I may be fat, but that's not why you play a role. If the guy has to be that way, I say get somebody else because I'm not doing any fat acting.
I used to defend the West Wing show from the charge of sentimentality or wish-fulfilment, because I think if you do go into the Barack Obama White House you will find six or seven people around him who are true believers. We make these people climb this filthy rope and then we stand at the bottom and say, "Hey, your hands are dirty!" To show heroic, progressive, democratic politics at work was more than I ever expected.
I like that I'm in shape but still look like a woman. I don't feel like I've had to give up my femininity to be an athlete. I feel good about my body because I work hard every day, and I still look and carry myself as a woman - a strong woman.
Being fat is the absolute nadir of the misfit. You're a misfit because nothing fits. You don't fit in. You're not fit. You're fat. Fat doesn't have the poetic cachet of alcohol, the whiff of danger in the drug of choice. You're just fat. Being fat is so un-American, so unattractive, unerotic, unfashionable, undisciplined, unthinkable, uncool. It makes you invisible. It makes you conspicuous.
As a black woman, I've always had to work hard to earn my respect as a musician - and as a young woman, too. As a writer, in certain sessions or certain rooms people think, 'Who's kid is this? Who's this little girl?' I've had to prove myself.
I was fat when I was a kid. I was a little chunkier, but that's boring because everyone was fat when they were a kid, right? Didn't we all go through a chubby stage? Mine maybe lasted a little longer - mine went until, like, the end of high school.
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