A Quote by Michael Crichton

Nobody wants to feel they're not a rebel. — © Michael Crichton
Nobody wants to feel they're not a rebel.
Rebel, rebel, you've torn your dress. Rebel, rebel, your face is a mess. Rebel, rebel, how could they know? Hot tramp, I love you so.
Everybody always wants to rebel against their parents' music, but nobody listened to music louder than my dad.
When you're younger, everyone wants to be a point guard. Everyone wants to shoot fadeaway jump shots all day. Nobody wants to be a big man. Nobody wants to go stand on the block and just set picks.
There's a method aspect to Campbell Scott character and he really wants to get into his character and he wants to cast to go on a fast so that by the time the play opens nobody's eaten in three days because he wants the audience to feel the pain from the stage.
'Rebel' is not a word I would describe for myself, but I feel like I was a total rebel being an actor. It made me feel like there was something in me, a passion, a love - and that I didn't just squelch it.
Nobody wants to know how you feel, yet, they want you to do what they feel.
The function of the rebel is to shake the fixated mores of the rigid order of civilization; and this shaking, though painful, is necessary if the society is to be saved from boredom and apathy. Obviously I do not refer to everyone who calls himself a rebel, but only to the authentic rebel. Civilization gets its first flower from the rebel.
Nobody wants to get old, but nobody wants to die young either.
A great story poorly told doesn't do anybody any good at all, and nobody wants to hear it, and nobody wants to read it. The craft of it is really more important than the subject matter.
When I was growing up, I think I was expected to be seen and not heard. You're this little, nerdy kid; no one wants to hear about how sad you are. Nobody wants to hear that you feel lonely.
Have you ever thought about those last moments of your life? Nobody wants a long, lingering illness; nobody wants just that; but it would be nice if you could have a day or two where you know it's coming.
I'll be relentless in my efforts to be great, but I'm realistic. I know I can't be perfect because I've seen it. But at the same time, nobody wants to fail, nobody wants to fail.
Nobody wants to hear how I think I've been mistreated, or how I think my punishment should be lifted, or tweaked, or reduced. Nobody wants to hear me say that, nobody cares what I think about this. I get it.
Nobody wants to make great albums now because nobody wants to buy them and there's no place to sell them.
I love Rebel Rebel in Manhattan's West Village for vinyl, but record stores are hard to come by these days. I almost don't even use iTunes. I mostly use music subscription services. But I'll go into Rebel Rebel once a month or so and buy everything I love on vinyl.
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
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