A Quote by Michael Cudlitz
We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.'
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We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.
Well, I don't know whether it caused anguish in China, but it was not a wise way to proceed. But one has to remember that it was the first experience. And in a Republican administration, there is a conservative wing that looks at China as the last embodiment of communism, which therefore tends towards a more bellicose rhetoric anyway than I would. It's not the dominant element, but every once in a while they get a crack at public statement.
I feel like, for so many years in the industry, LGBT-identifying actors were told to play small or water themselves down or 'butch it up,' whether you're a male and you're only going out for straight characters because gay characters aren't being written, or you're a woman and you're told to 'femme it up' to play the leading lady role.
My experience on 'The West Wing' was, I think, now rare in that I was pretty young, and I walked into this environment where Aaron Sorkin was giving me a script every week, and Thomas Schlamme and John Wells were keeping the studio off my back, at least as best as they could.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
If the characters on 'The West Wing' were watching a TV show wherein a character like Trump was leading in the polls, they wouldn't find it believable.
TV is a big business. In some ways, it's surpassed films, in terms of the way people invest in these shows and invest in these characters, and give up so much of their time to follow these people's stories.
I know that John Adams has had a very hard time directing French ensembles.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
Growing up, it was about finding a way to entertain myself outdoors. We spent all the summers on the beach, camping with my family a bunch, and traveling as much as we could. My parents wouldn't let me watch too much TV growing up or play video games, or anything like that.
My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I've made it.
China is the big economic engine in Asia, so what happens is, as China growth expands, these countries in the periphery of China, whether it be Indonesia, Malaysia, Singapore, the Philippines, they end up growing with China because they become big exporters.
This kingdom of God life is not a matter of waking up each morning with a list of chores or an agenda to be tended to, left on our bedside table by the Holy Spirit for us while we slept. We wake up already immersed in a large story of creation and covenant, of Israel and Jesus, the story of Jesus and the stories that Jesus told. We let ourselves be formed by these formative stories, and especially as we listen to the stories that Jesus tells, get a feel for the way he does it, the way he talks, the way he treats people, the Jesus way.
Some TV shows are like really good novels in that there are enough episodes that you start to have your own feelings about how the characters should act. When the scriptwriters go slightly wrong, when they make the character make a left turn that he or she wouldn't do, you know enough about the characters to say, "No, that's not what she would do there. That's wrong." You can actually argue with a TV show in a way that you can't do as much with movie - you inhabit a TV show in the way you inhabit a novel.
I'm an enormous fan of 'The West Wing.' It was one of the very few shows I would watch every week.
People will always want it [reality TV shows], if it's produced well and if it's telling people's stories - that's all anybody wants: to connect with another human being on a very basic level. If the stories are told well, I think it can continue and continue.
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