A Quote by Michael Cunningham

A writer should always feel like he's in over his head — © Michael Cunningham
A writer should always feel like he's in over his head
The writer trusts nothing she writes-it should be too reckless and alive for that, it should be beautiful and menacing and slightly out of control. . . . Good writing . . . explodes in the reader's face. Whenever the writer writes, it's always three or four or five o'clock in the morning in her head.
I didn't feel physically sick. But mentally. My mind was twisting in so many ways. (...) We once saw a documentary on migraines. One of the men interviewed used to fall on his knees and bang his head against the floor, over and over during attacks. This diverted the pain from deep inside his brain, where he couldn't reach it, to a pain outside that he had control over.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
People meet writers and are bowled over when the writer is friendly to them and invites them to his house for a glass of wine or to shoot up heroin or whatever they do, and they talk their heads off, and a year later it comes out in a book, and there follow years of bitter and fruitless litigation, and that is why you should always keep a writer at arm's length.
I do increasingly feel like becoming a better writer is about trying to find new ways to solve the same problems over and over again, and I'll maybe be a good writer after I have solved the same problem ten million times.
I am willing to allow that smoking is a moral weakness, but on the other hand, we must beware of the man without weaknesses. He is not to be trusted. He is apt to be always sober and he cannot make a single mistake. His habits are likely to be regular, his existence more mechanical and his head always maintains its supremacy over his heart. Much as I like reasonable persons, I hate completely rational beings.
A writer should concern himself with whatever absorbs his fancy, stirs his heart, and unlimbers his typewriter. ... A writer has the duty to be good, not lousy: true, not false; lively, not dull; accurate, not full of error. He should tend to lift people up, not lower them down.
A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story. He will never forget the sweet poison of vanity in his blood and the belief that, if he succeeds in not letting anyone discover his lack of talent, the dream of literature will provide him with a roof over his head, a hot meal at the end of the day, and what he covets the most: his name printed on a miserable piece of paper that surely will outlive him. A writer is condemned to remember that moment, because from then on he is doomed and his soul has a price.
The critical opinions of a writer should always be taken with a large grain of salt. For the most part, they are manifestations of his debate with himself as to what he should do next and what he should avoid.
I like the biblical way of being in a relationship which is head shipment, I'm not saying that a man should run over a woman, but a man should have his role and a woman have her role.
I am a super-confident writer, and as a joke writer and as an actress, I'm like, 'I want to go head-to-head with every person.' I am an Indian woman and I'm a kind of double minority in this world.
A writer is like a gypsy. He owes no allegiance to any government. If he is a good writer he will never like any government he lives under. His hand should be against it and its hand will always be against him.
‘Was that like a cookie?’ she wondered. ‘Hmmm?’ ‘You know, have a cookie. You'll feel better.’ She put her hands on either side of his face, lifting it as he laughed. ‘Were you making me feel better?’ ‘I certainly hope so. It worked for me.’ He dipped his head to kiss her lightly. ‘I wanted you. I always do.’ ‘It's funny how men can wake up with their brains in their cocks.’ ‘It makes us what we are.’ Still chuckling, he rolled her over him, patted her butt. ‘Let's take a shower. I'll give you another cookie.’
One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin.
Nobody becomes a writer overnight. Well, I'm sure somebody did, but that person's head probably went all asplodey from paroxysms of joy, fear, paranoia, guilt and uncertainty. Celebrities can be born overnight. Writer's can't. Writers are made - forged, really, in a kiln of their own madness and insecurities - over the course of many, many moons. The writer you are when you begin is not the same writer you become.
God did not create woman from man’s head, that he should command her, nor from his feet, that she should be his slave, but rather from his side, that she should be near his heart.
This site uses cookies to ensure you get the best experience. More info...
Got it!