A Quote by Michael Cunningham
A certain slightly cruel disregard for the feelings of living people is simply part of the package. I think a writer, if hes any good, is not an entirely benign entity in the world.
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A certain slightly cruel disregard for the feelings of living people is simply part of the package. I think a writer, if he's any good, is not an entirely benign entity in the world.
I wouldnt say Malkovich is totally insane, but hes not living in the real world. Hes living in his world, which is a fine world to live in apparently.
Im obsessed with Michael Fassbender. Hes unbelievable. I think hes a modern day Brando. Every movie that hes done in the past couple years, I just died for him. Hes extremely fascinating.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
The immiseration of the majority is an integral part of the Free World package for the Third World, the unsavory aspects of the package - the terror, the direct spoilation of people and resources, and western complicity - must be rationalized and, as far as possible, kept under the rug.
People are born in a certain place, and in a certain society. I don't mean to sound like a determinist, but to think we're entirely free to do whatever we want betrays a certain class perspective. For most people who have to work for a living, and work at jobs under conditions they may not like, it's just not simple when it comes to freedom.
China once again disgusts the world, portraying the image of a cruel, perverted people devoid of any feelings towards animals.
I think for anyone who follows the 'artistic life,' a certain amount of selfishness and self-involvement is part of the package. You're probably already disregarding a certain material life you could have.
I think acting is a gift. I look at someone like Ben Kingsley, and hes incredibly charismatic, even when hes not acting. Hes an incredibly hard worker, and he has a very specific system that he does with his work.
Like no other writer in contemporary American literature, Brock Clarke has a way of looking at us, I mean looking straight at us--warts, lots of warts, and beauty and hypocrisy and love, too, the gamut. And hes done it again in this brilliant The Happiest People in the World, a novel that is as hilarious and thought-provoking as it is ultimately, deadly, deadly serious. I for one am grateful hes out there--watching our every move.
I do think there's a spiritual element in the world, yes. Have I experienced a ghost firsthand, per se? No. I guess I've experienced feelings or some kind of a presence. But I certainly haven't seen any kind of transparent entity running around.
I start crying when certain things come up, certain memories, certain feelings, and it's intense. But I think it's good for me - and therapeutic.
Living entity is food for another living entity, it does not mean that I shall eat my children also. There is discretion.
Well, I think it’s extraordinarily fun to write, and I look forward to it every day, but that doesn’t mean I think it’s easy. There’s a difference between the two. It’s fun in the way all worthwhile things are fun – there’s difficulty attached to it. I think that a writer has to accept a certain amount of frustration. It’s inherent in the task, and you have to simply persevere. It’s part of the definition of the work.
Accepting Turkey as a member of the European club means that the club is open to outsiders, to Muslims, to poorer people, to developing countries, to countries with a slightly different cultural tradition but basically the same values. I think it's dangerous for the West to close the door; it doesn't do us any good and it doesn't do the rest of the world any good. Also, it reduces the danger of a "clash of civilizations".
The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.
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