A Quote by Michael Cunningham

I suspect any serious reader has a first great book, just the way anybody has a first kiss. — © Michael Cunningham
I suspect any serious reader has a first great book, just the way anybody has a first kiss.
As far as I know, Clifford Pickover is the first mathematician to write a book about areas where math and theology overlap. Are there mathematical proofs of God? Who are the great mathematicians who believed in a deity? Does numerology lead anywhere when applied to sacred literature? Pickover covers these and many other off-trail topics with his usual verve, humor, and clarity. And along the way the reader will learn a great deal of serious mathematics.
The early days of any relationship are punctuated with a series of firsts - first sight, first words, first laugh, first kiss, first nudity, etc., with these shared landmarks becoming more widely spaced and innocuous as days turn to years, until eventually you're left with first visit to a National Trust property or some such.
People often call 'If I Stay' my baby novel, and I have to correct them. It's not my first book. It's just the first one anybody paid attention to.
Every libromancer had a first book. Etched more sharply into my memory than my first kiss, this book had been my magical awakening.
This is the first kiss that we're both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another.
Personally, I never understood the power of having books written about your experience - whatever that experience may be - until I wrote one and started hearing from teens. I just got an email from a reader who said that "Thirteen Reasons Why" was the first time they had felt understood. A book shouldn't be anybody's first time feeling understood and that's where censorship bothers me. These books need to be out there.
The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
You have to remember that Shadow and Bone' was the first book I sold. And it was, in fact, the first book I ever finished writing, despite many attempts before that to finish a novel. And when I was writing it, I didn't know if anybody was going to buy one book, let alone all three.
It frustrates and fascinates me that we'll never know for sure, that despite the best efforts of historians and scientists and poets, there are some things we'll just never know. What the first song sounded like. How it felt to see the first photograph. Who kissed the first kiss, and if it was any good.
Hannah wasn't my first kiss, but the first kiss that mattered: the first kiss with someone who mattered. (pg 222).
I don't know if any single book made me want to write. C.S. Lewis was the first writer to make me aware that somebody was writing the book I was reading - these wonderful parenthetical asides to the reader.
I love telling 'first' stories - first loves, first college experience, first kiss, all of those kinds of things.
I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
Few things leave a deeper mark on the reader, than the first book that finds its way to his heart.
Shirley Jackson said that a confused reader is an antagonistic reader, and I live by that. It's okay to start anywhere, and to let yourself write a big sloppy overly-detailed first draft. You just jump in, knowing that the water will be cold at first, but no one is making you swim.
Corbin Bleu was my first kiss in life. I was 12, and he was, like, my first kiss for TV... It was on the lips!
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