A Quote by Michael Dapaah

I'm very observational in my comedy and what I create with the characters that I'm blessed to play. I don't believe comedy needs to be offensive, and I don't believe it needs to be a mockery of anything.
Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.
I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
I do believe that O'Zell needs a sibling. She needs to have someone to play with.
Comedy - and I say this with humility - comedy needs me.
It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
I believe it is tough to be funny and tougher to make people laugh. And it needs to be been done effortlessly. A joke can be comedy, but one can kill the joke if it is delivered badly.
I guess there are no real strict rules [in comedy], but I just learn to apply my philosophy about comedy which is, it's a serious business and the result needs to be funny, not the process.
I've tried to create a comedy that doesn't look like any other comedy. Maybe traditionally in TV there has been a kind of formula that says, 'Oh, comedy has to look this way; it has to look super bright.' But the way we shoot 'Insecure' is motivated by the mental state of each of our characters.
I always find it actually funny that the analysis is that the characters I play in comedies are the manchild, the adolescent, characters that refuse to grow up. And yet, if you look back in the history of comedy all the way back to the Marx brothers, that's a big part of comedy.
I believe comedy should be free to go anywhere. I believe that there is tasteful and untasteful, I think they're very close to each other, and it's how you handle it tonally. But I'm an equal opportunity offender. I'm happy to go at anything that has a cause to be laughed at.
We believe in liberty, we believe in limited government, we believe in free enterprise, we believe in family values and the sanctity of human life, and we all believe Washington needs a good dose of Economics 101.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.
In terms of comedy, there was a Seinfeldian era of comedy that I love but got played out. Seinfeld was great, but then after him it was people acting like Seinfeld and making observations that we felt like we'd kind of heard before, and then you're seeing Seinfeldian comedy in commercials. Suddenly everything is observational funniness.
I believe people leave a theater bonding with characters. Story is the vessel that carries character. Comedy is a very important component of expressing character.
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