A Quote by Michael Dean Perry
The rock has strange powers. When you rub it, and run down the hill, the adrenaline flows. It's the most emotional experience I've ever had.
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When Clemson players rub that rock and run down the hill, it's the most exciting 25 seconds in college football.
Whenever there is a reaching down into innermost experience, into the nucleus of personality, most people are overcome by fear and many run away. . . The risk of inner experience, the adventure of the spirit, is in any case alien to most human beings. The possibility that such experience might have psychic reality is anathema to them.
Wrestling is cyclical. And if you look at the '80s, it had an unbelievable run, and then it just fell down. '90s had the biggest run ever because of the Monday Night Wars.
I became successful and within five years conquered the world and had the most amazing run. I had so much momentum and adrenaline going, but then it ends and you have to find what level you're going to be on, how enthusiastic you're going to be.
I don't like roller coasters. I don't like bungee jumping. I don't like snow boarding really fast down the hill. I am not someone who is an adrenaline junkie.
I'm no expert. I have no psychic powers, and I sure don't possess any secret wisdom. I'm just Janet. I have strengths, weaknesses, fears, happiness, sadness. I experience joy and I experience pain. I'm highly emotional. I'm very vulnerable.
When me and Mike Tyson were around, we played king of the hill. Whoever comes to the hill, you get your behind whooped. We don't pick and choose. I fought guys when I had fractured wrists and ribs, bad backs, I didn't care. I was the king of the hill; Tyson was king of the hill. When we left, people were trying to get the 'most money fight.'
I think artists are going to express things from an emotional point of view, that's their job, to suggest and interpret, and report what they witness. That's their job as artists, you're looking for the rub, where's the rub, you're a storyteller, you're looking for the rub, not necessarily the solutions, or you're not necessarily educated, you're not the winner of a debate contest, a national debate contest, you're not necessarily a person who has a doctorate in anything.
... I had a latent impression that there was something decidedly fine in Mr. Wopsle's elocution - not for old associations' sake, I am afraid, but because it was very slow, very dreary, very up-hill and down-hill, and very unlike any way in which any man in any natural circumstances of life or death ever expressed himself about anything.
I had the best time I ever had on a Jim Cameron movie - True Lies, 1994. It was the single most freeing experience as an actor I've ever had. And, of course, in the midst of it there was this humungous circus that he conceived.
I really enjoy work to a purpose. Maybe that makes me kind of strange. In some ways - and this is going to sound awful - it could be that writing is the worst job that I've ever had. Because it's so much more important to me and there's so much more opportunity for failure and I have so many people depending on me. In some ways it's the most satisfying, the most gratifying, and the most rewarding job I've ever had. But I actually would say it's probably the worst job I've ever had too.
I had always dreamed of living in Chapel Hill. When I was a college student at Hollins University in Virginia, I came down to Chapel Hill for summer school and just loved it.
As I came down the Highgate Hill, The Highgate Hill, the Highgate Hill, As I came down the Highgate Hill, I met the sun's bravado, And saw below me, fold on fold, Grey to pearl and pearl to gold, This London like a land of old, The land of Eldorado.
What I am most proud of with the book On to the Next Dream is how I turned an intensely emotional experience into art. Anyone can run up to a rooftop, tear off their clothes, and scream about how screwed up the world is. But for the people down below, all they see is a person losing their mind. I wanted to make something that channeled that emotion in a way that elicited an empathetic response from the reader. So that after you read this book, you would want to run up to the rooftop and scream about how screwed up the world is.
My parents never had any money. It was cash flow. It flows, and you got your fingers in it for a little while, and it flows away. That's all I know about money. And I don't know, it flows and it's a river, but you can never, ever keep it. As an artist, I can't keep it. But hey, a man who dies with a cent in the bank is a foolish man. So I guess I'm going against the conservators. I'm a spendthrift.
Strong emotional experiences are for the most part impersonal. Anyone who has hated another person so much that only chance stands between that person and death knows this, as does whoever has fallen into the catastrophe of a deep depression, anyone who has loved a woman to the dregs, anyone who has beaten others bloody or ever come up behind another person with muscles trembling. "Losing one's head," language calls it. Emotional experience is, in itself, poor in qualities; qualities are brought to it by the person who has the experience.
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