I used to own two homes in Atlanta. But it was a lot of trouble. There are leaky roofs; you have to call people. It takes up too much time to own property everywhere. Now I stay at the St. Regis. I used to like cars a lot, too. I had 25 of them: Porsches, Ferraris.
We took a show to the Aspen Comedy Festival, called "Puppet Up" at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, "Please come to Edinborough."
Regis can do anything these young punks can do. I fit right in there with my Fox people. They want Regis to dance, Regis will dance. They want Regis to lift weights with them, Regis will lift weights with them. Whatever they want!
Maybe more youngsters would stay home at nights if they were not afraid to stay alone at nights.
I used to go to tea at the St. Regis with Dali. I was standing there and Mr. Dali walked over to me and asked if I would like to have tea with him and Truman Capote. Normally if a person would come up to you in a magazine store and ask you to have tea, you'd run, wouldn't you? But I sort of had a feeling that this was legitimate.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
St. Luke again associates St. John with St. Peter in the Acts of the Apostles, when, after the Resurrection, that strange boldness had come upon the disciples.
I went to Aspen right after school and got a freelance gig writing articles for the 'Aspen Times.' I was their nightlife correspondent. They paid me fifty bucks an article.
Vegas is the best place to go out. You can't stay more than two nights, but everything is so big and grand.
I thought, 'I'll come back to New York. I worked for the 'Aspen Times' when I lived in Aspen. I'll work for the 'New York Times' when I live in New York.' It didn't work out that way.
All of a sudden I pulled up short and harked back to Ridley [Scott] holding up the script in Manhattan, at the St. Regis breakfast room, and saying, "It's very visual, isn't it," and realized it was the key to my whole life since then.
In the Catholic Worker we must try to have the voluntary poverty of St. Francis, the charity of St. Vincent de Paul, the intellectual approach of St. Dominic, the easy conversations about things that matter of St. Philip Neri, the manual labor of St. Benedict.
you fly until you crash two days two nights no sleep, no food, come down off the monster YOU CRASH REAL HARD
I come from a family where some nights you don't know where food's going to come from. There's nights where you're going to have go to bed hungry.
It's lonely being stuck in a hotel in London for two nights. Even a couple of nights away from the children is awful.
Lindsey [Buckingham] and I went up to Aspen and we went to somebody's incredible house and they had a piano and I had my guitar with me and I went in their living room, looking out over the incredible Aspen sky and I wrote 'Landslide.'