A Quote by Michael Dirda
I think the essence of [Kurt] Vonnegut's humanism lay in his emphasis on human kindness as, so to speak, our saving grace.
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Any writer my age almost can't get away from being influenced by Kurt Vonnegut, partially because of his simple, clear way of stating things. To read Vonnegut is to learn how to use economy words.
My theory is that Kurt had a lot of residual pain from his childhood. And when you pile that on top of his experience in World War II - he was in Dresden when it was bombed and saw a city annihilated. When you combine those two things, my impression of Kurt Vonnegut at 84 was that he was a very pained and haunted man.
I think that his [Kurt Vonnegut's] appeal, though, will always be chiefly to adolescents. His sense of the world matches that of young people, who feel deeply life's absurdity.
I used to agree with Kurt Vonnegut, who said that the human race has a snowball's chance in hell of being around a hundred years from now.
Kurt Vonnegut speaking to John Irving while Irving was administering the Heimlich maneuver in response to Vonnegut's uncontrollable coughing..."John,stop- I am not choking. I have emphysema.
[Kurt] Vonnegut was a writer whose great gift was that he always seemed to be talking directly to you. He wasn't writing, he wasn't showing off, he was just telling you, nobody else, what it was like, what it was all about. That intimacy made him beloved. We can admire the art of John Updike or Philip Roth, but we love Vonnegut.
In seventh grade, with some vague sense that I wanted to be a writer, I crouched in the junior high school library stacks to see where my novels would eventually be filed. It was right after someone named Kurt Vonnegut, Jr. So I grabbed a Vonnegut book, 'Breakfast of Champions' and immediately fell in love.
If a person has grasped the meaning of God's grace in his heart, he will do justice. If he doesn't live justly, then he may say with his lips that he is grateful for God's grace, but in his heart he is far from him. If he doesn't care about the poor, it reveals that at best he doesn't understand the grace he has experienced, and at worst he has not really encountered the saving mercy of God. Grace should make you just.
As Richard Pryor was to Eddie Murphy, that's what Kurt Vonnegut was to me.
This is the amazing story of God’s grace. God saves us by His grace and transforms us more and more into the likeness of His Son by His grace. In all our trials and afflictions, He sustains and strengthens us by His grace. He calls us by grace to perform our own unique function within the Body of Christ. Then, again by grace, He gives to each of us the spiritual gifts necessary to fulfill our calling. As we serve Him, He makes that service acceptable to Himself by grace, and then rewards us a hundredfold by grace.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
Nearly all the writing of our time is likely to disappear in a hundred years. Certainly most readers - and nearly all critics - feel that [Kurt] Vonnegut started to repeat himself, to grow increasingly self-indulgent and meandering, and to sometimes just blather in his later work. But his books up to "Slaughterhouse-Five" do possess a distinctiveness that will insure some kind of permanence, if only in the history of the 1960s and of science fiction.
Vonnegut's earliest novels hint strongly at his familiarity with Wiener's work, The Human Use of Human Beings, especially his first novel, Player Piano (1952), which shows his concern for the social implications of automation, the replacement of human beings with machines.
We have this habit of romanticizing the lives of writers. I remember when I was a kid, I was like, 'I want to be Kurt Vonnegut.'
I read a lot of short fiction, like Kurt Vonnegut and Raymond Carver and Wells Tower.
I've read some of Kurt Vonnegut letters from when he was young. He was a prisoner of war, and even when he was in his early twenties, there were things mentioned that showed up in his novels. One of the sweetest things in those letters was him wanting to be a writer but doubting himself, not having confidence in himself.
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