A Quote by Michael Dirda

Order and surprise: these are two intertwined elements that make for any great library or collection. — © Michael Dirda
Order and surprise: these are two intertwined elements that make for any great library or collection.
Basically the movies I make are my life, so I choose how I want to live my life for the next two years. So that's a decision I have to make. At some point if I feel there are enough elements - it doesn't even have to have great characters or great stories - it's just elements that can get my excitement and curiosity for one or two years, then I'll jump in and I'll find out what that is. Then I have to do [interviews like this] and rationalize why I do this.
the table of elements does not contain one of the most powerful elements that make up our world, and that is the element of surprise.
All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious. BOTH SIDES of the artist's personality must play their part.
The violent quarrel between the abstractionists and the surrealists seems to me quite unnecessary. All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious.
every artist is both male and female, and ... sometimes, the two great elements are in conjunction with him, so that all by himself he suddenly gets the melody and the burst of feeling of a great symphony without any external stimuli.
Those elements that make 'Catfish' so interesting to watch, elements of deception and mystery, make any movie or any piece of content exciting to watch. It makes characters complex and interesting.
I traveled to a library in South Africa called ILAM (International Library of African Music), which has a collection of about 500 different instruments that don't really exist anymore.
A great library doesn't have to be big or beautiful. It doesn't have to have the best facilities or the most efficient staff or the most users. A great library provides. It is enmeshed in the life of a community in a way that makes it indispensable. A great library is one nobody notices because it is always there, and always has what people need.
To have a great university library near you with plenty of archives of all the journals that you want to research in the twentieth century is a remarkable asset, and I spend a day, maybe two days a week in that library. I just plain love it.
Elements and birthdays have been intertwined for me since boyhood, when I learned about atomic numbers.
Jane Austen's books, too, are absent from this library. Just that one omission alone would make a fairly good library out of a library that hadn't a book in it.
Come indoors then, and open the books on your library shelves. For you have a library and a good one. A working library, a living library; a library where nothing is chained down and nothing is locked up; a library where the songs of the singers rise naturally from the lives of the livers.
The elements which determine the make of any particular sermon are three; the preacher, the material, and the audience; just as the character of any battle is determined by three elements; the gun (including the gunner), the ammunition, and the fortress against which the attack is made.
I do not need some guy around in order to get inspiration, in order to make a great record, in order to live my life, in order to feel okay about myself. And I wanted to show my fans the same thing.
... the subjective viewpoint is the only one to use regarding a library. Your true library is a collection of the books you want.You may have deplorably poor taste or bad judgment. Never mind. Correct those traits before you exchange your books.
We have a priori reasons for believing that in every sentence there is some one order of words more effective than any other; and that this order is the one which presents the elements of the proposition in the succession in which they may be most readily put together.
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