A Quote by Michael Dirda

Whatever Kurt Vonnegut's ultimate status will be in the annals of literature, he was important to a lot of people right now. That's what most writers really care about.
We have this habit of romanticizing the lives of writers. I remember when I was a kid, I was like, 'I want to be Kurt Vonnegut.'
In seventh grade, with some vague sense that I wanted to be a writer, I crouched in the junior high school library stacks to see where my novels would eventually be filed. It was right after someone named Kurt Vonnegut, Jr. So I grabbed a Vonnegut book, 'Breakfast of Champions' and immediately fell in love.
It was always about the future of writers, and about the way writers are treated in the future, and I think that was really hurtful to a lot of people in my position who had 160 people who depended on them to get this over with. So there was a lot of pain in it, and in that sense it will never be worth it, but I do think it was important.
[Kurt] Vonnegut was a writer whose great gift was that he always seemed to be talking directly to you. He wasn't writing, he wasn't showing off, he was just telling you, nobody else, what it was like, what it was all about. That intimacy made him beloved. We can admire the art of John Updike or Philip Roth, but we love Vonnegut.
My theory is that Kurt had a lot of residual pain from his childhood. And when you pile that on top of his experience in World War II - he was in Dresden when it was bombed and saw a city annihilated. When you combine those two things, my impression of Kurt Vonnegut at 84 was that he was a very pained and haunted man.
?e [Kurt Vonnegut] felt that life was largely a crap shoot and that we simply need to muddle on as best we can, being as kind and loving to one another as possible, right now. It's a pretty good philosophy, no matter what one's religious beliefs or lack of them.
Any writer my age almost can't get away from being influenced by Kurt Vonnegut, partially because of his simple, clear way of stating things. To read Vonnegut is to learn how to use economy words.
I read a lot of short fiction, like Kurt Vonnegut and Raymond Carver and Wells Tower.
My favorite book is anything by Kurt Vonnegut - he's my literary hero. I got to meet him several times, which was a great thrill for me. I don't really remember what we talked about.
Kurt Vonnegut talks about how we know there is another family out there and when we find it we get this almost instinctive sense of belonging. And that is how I felt in Enniskillen in 1977 when I realized there were these people of all ages, whatever their religion, from different backgrounds, who were bound together by a love of plays and acting.
Kurt Vonnegut speaking to John Irving while Irving was administering the Heimlich maneuver in response to Vonnegut's uncontrollable coughing..."John,stop- I am not choking. I have emphysema.
I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.
I wasn't really much of a reader early on, but when I first started getting into reading at around 16 all I could really read was Kurt Vonnegut books.
I used to agree with Kurt Vonnegut, who said that the human race has a snowball's chance in hell of being around a hundred years from now.
I really began to love to read while in high school, and my favorite authors were my heroes: J.D. Salinger, Kurt Vonnegut.
I think that his [Kurt Vonnegut's] appeal, though, will always be chiefly to adolescents. His sense of the world matches that of young people, who feel deeply life's absurdity.
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