A Quote by Michael Dirda
From the late 19th to the early 20th century, the December issue of almost any general-interest magazine regularly featured a holiday horror or two.
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Not being able to address the attribution of change in the early 20th century to my mind precludes any highly confident attribution of change in the late 20th century.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
If psychoanalysis was late 19th century secular Judaism’s way of finding spiritual meaning in a post-religious world, and retail is the late 20th century’s way of finding spiritual meaning in a post-religious world, what does it mean that I’m impersonating the father of psychoanalysis in a store window to commemorate a religious holiday?
If you look at that incredible burst of fantastic characters that emerged in the late 19th century/early 20th century, you can see so many of the fears and hopes of those times embedded in those characters. Even in throwaway bits of contemporary culture you can often find some penetrating insights into the real world around us.
In the early 20th century the monarchy was held up as the archetypical virtuous British family. In the late 20th century it became the most wonderful symbol of the complete re-engineering of family structures.
The 19th century was a century of empires, the 20th century was a century of nation states. The 21st century will be a century of cities.
I was in school for literature, and read so many 19th century and early 20th century novels that it was hard to break out of that and read an average Jeanette Winterson book or something.
I like classical music of the late 19th and early 20th centuries, and I adore Bach above all.
Technology has changed almost everything. One institution remains stubbornly anchored in the past. It's where I work - the United States Congress, a 19th Century institution using 20th Century technology to respond to 21st Century problems.
I'd like to be remembered not only for my body of work but also for specific novels. Ideally, I want to be remembered in the same way as Stephen King, who defined and exemplified excellence in the horror genre in the late 20th and early 21st century.
I think future generations will say the late 20th century and the early 21st century was a time of great convulsions and upheavals.
The 19th century was the century of empires, the 20th was the century of nation states, and the 21st is the century of cities and mayors.
In the early 19th to the early 20th century, people had a lot of things wrong with them. Doctors didn't know how to fix them, and so they lived with them.
Anthropologists believe women were among the skilled boxers of the ancient, sport-loving Minoan culture that flourished on Crete until 1100 B.C. The boxing booths at English fairs featured women in the 19th and early 20th centuries.
You had a flood of immigrants, millions of them, coming to this country. What brought them here? It was the hope for a better life for them and their children. And, in the main, they succeeded. It is hard to find any century in history, in which so large a number of people experience so great an improvement in the conditions of their life, in the opportunities open to them, as in the period of the 19th and early 20th century.
When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.
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