A Quote by Michael Dirda
In truth, my Anglophilia is fundamentally bookish: I yearn for one of those country house libraries, lined on three walls with mahogany bookshelves, their serried splendor interrupted only by enough space to display, above the fireplace, a pair of crossed swords or sculling oars and perhaps a portrait of some great English worthy.
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Perhaps I have not lined his portrait too clearly. But if he exists, if only for the reason that I have imagined him to be. He came from the blue and returns to the blue. He has not perished, he is not lost. Neither will he be forgotten.
An artist worthy of the name should express all the truth of nature, not only the exterior truth, but also, and above all, the inner truth.
There is a sort of homely truth and naturalness in some books which is very rare to find, and yet looks cheap enough. There may benothing lofty in the sentiment, or fine in the expression, but it is careless country talk. Homeliness is almost as great a merit in a book as in a house, if the reader would abide there. It is next to beauty, and a very high art. Some have this merit only.
The explanation of the propensity of the English people to portrait painting is to be found in their relish for a Fact. Let a man do the grandest things, fight the greatest battles, or be distinguished by the most brilliant personal heroism, yet the English people would prefer his portrait to a painting of the great deed. The likeness they can judge of; his existence is a Fact. But the truth of the picture of his deeds they cannot judge of, for they have no imagination.
My desk is an antique with bookshelves built into the side. I've turned the drawer over to hold a keyboard. We live in a 100-year-old house, and I work in an apartment above the carriage house.
The truth is, when our mothers held us, rocked us, stroked our heads -none of us ever got enough of that. We all yearn in some way to return to those days when we were completely taken care of - unconditional love, unconditional attention. Most of us didn't get enough.
I'm an Amazon Prime member. I subscribe to Netflix and Hulu, and they have great user interfaces and some excellent original programs. But what truly distinguishes all three of these services is the utility of their vast libraries of acquired content, which also is a part of what makes each a platform, even if it has a 'house brand,' too.
I decided when I was a kid that I would only go out of the house if I felt good enough to be bothered. Could I be interrupted at dinner? Am I in the mood? If I am, I go out. If I'm not, I don't! So, it's the art of deciding what the truth of your job is, and what you can and cannot handle. You can design your stresses.
Going into orbit around Earth - where the space station is today, and where the space shuttles and John Glenn and all those folks go-that's three-eighths of an inch above a schoolroom globe, just FYI. That's not very far from Earth. Yes, you are off Earth, but you're not really going anywhere yet. The moon was the only real destination.
Throughout my formal education I spent many, many hours in public and school libraries. Libraries became courts of last resort, as it were. The current definitive answer to almost any question can be found within the four walls of most libraries.
We still have it in our power to rise above the fears, imagined and real, and to shoulder the great burdens which destiny has placed upon us, not for our country alone, but for the benefit of all the world. That is the only destiny worthy of America.
I own A LOT of shoes; I am not sure how many. My three favorite pairs would have to be a black pair of Christian Louboutins; they were the first pair I ever bought and still wear them! A pair of cream YSL pumps that are great for spring/summer and a pair of YSL wedges that I wear with everything.
President [Barack] Obama has talked about fundamentally transforming this country. There's 7 billion people across the face of the globe, many of whom want to come to this country. If they come legally, great. But if they come illegally and they get amnesty, that is how we fundamentally change this country, and it really is striking.
The rest, with very little exaggeration, was books. Meant-to-be-picked-up books. Permanently-left-behind books. Uncertain-what-to-do-with books. But books, books. Tall cases lined three walls of the room, filled to and beyond capacity. The overflow had been piled in stacks on the floor. There was little space left for walking, and none whatever for pacing.
A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
I don't believe that fiction is dead. I know there are some people who believe that it's an outdated art form, and that to express truth today you need to work in different forms, to write books where it's perhaps not clear what's fiction and what's memoir. I have nothing against those books and love many of them very much. But we have enough space for everyone, traditional realists and hybrid writers, and experimental writers all.
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