A Quote by Michael Douglas
'One Flew Over the Cuckoo's Nest,' which my father had tried to get made for six, seven years, and I for four, was turned down by every studio. Every studio in the world had passed on it.
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'Beyond the Lights' took incredible fight to get made. Four years of writing and two years of overcoming 'no.' Every studio balked. Twice. But I kept fighting. What gave me the courage was 'Love & Basketball.' Every studio turned down that film, too. But I never gave up because I believed in it with my whole heart and soul.
I bought the book, One Flew Over the Cuckoo's Nest. I paid to have it made into a play and I played in it for six months. I came back and I tried to make it into a movie, without success.
When I tried to get 'Stargate' made, I took it to every studio in Hollywood and every studio said, 'Sci-fi is dead. It's a dead genre. No one wants to see science fiction anymore.' And I had to go and raise the money independently to make that movie.
I had those kind of parents where I watched all of these very sophisticated movies: 'Five Easy Pieces', 'One Flew Over the Cuckoo's Nest.'
If you say you've had a nervous breakdown or things aren't right mentally, people run away from you. They think you're from 'One Flew Over The Cuckoo's Nest,' you know.
When I was seven, I watched One Flew Over the Cuckoo's Nest with my mom. When Jack Nicholson was strapped to the table getting electroshock treatment, my mom burst into tears. She said it reminded her of her life, and I was stunned, because I didn't know my mom had been nominated for an Oscar.
I turned down 'Cuckoo's Nest' four times before Jack got it.
I had this perfect situation where my studio was a three-minute walk away, and every day I would go to the studio. If I had an idea, I could work on it at the highest level possible.
High high in the hills , high in a pine tree bed. She's tracing the wind with that old hand, counting the clouds with that old chant, Three geese in a flock one flew east one flew west one flew over the cuckoo's nest
I aspire to be Jack Nicholson. I love his every single mannerism. I used to try and be him in virtually everything I did, I don't know why. I watched One Flew Over the Cuckoo's Nest when I was about 13, and I dressed like him. I tried to do his accent. I did everything like him. I think it kind of stuck with me.
If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
In terms of popular cinema, 'One Flew Over the Cuckoo's Nest' is as near perfection as I can think of.
I was practically born and raised at 20th Century Fox studio, started to work there selling papers when I was around seven years old, and every summer vacation from school I would work in a various department at the studio. So I was an old-timer when I was 15.
I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.
With 'Love And Basketball,' every studio turned it down.
I loved the movie theater so I always saw a lot of movies. And then there was a play, I saw in the local paper, they were having auditions for a play of a book I had read. Which was One Flew Over the Cuckoo's Nest by Ken Kesey. So I said, "oh, I've read this, so I'm perfect for the part of the lead." His name is escaping me.
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