A Quote by Michael Eklund

I think it's very important for any actor to eventually produce, and create the projects they want to create. I believe it's all a part of the same art form, which is storytelling.
I'm a Sufi Muslim, I would say. I believe in using the medium to create a good vibration because art is so important to society. Some projects I don't do because I feel that it's going to create a bad vibe. I don't do propaganda films that are anti another religion, anti-Muslim or anti-Hindu.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
I think what you got to do is to create an environment which people wish to sit in. You have to create a menu which is interesting to people. You have to create food which is delicious and affordable. I think that's what's important.
People create the illusion of acting natural, which is what I think most documentarians do in part because of the direct cinema orthodoxies that came into play really in the '60s. That moment of performance is a tremendous opportunity to make visible something hitherto invisible, which is how people want to be seen. How do they see themselves? What are the scripts, fantasies, genres by which they imagine themselves? How is storytelling part of what we are as human beings? We wouldn't kill each other en masse if it weren't for storytelling. We wouldn't be able to live with ourselves.
I think the actual art of expressing yourself is a very important part of being human. And an important part of being a performer is understanding what it's like to create yourself.
I just want to produce and create projects that I'm passionate about and I love.
My experience says that if you put out a lot of personal work that's good, it tends to attract high dollar commercial work. But to be clear - I don't create art to get high dollar projects, I do high dollar projects so I can create more art.
I think for most new kids it’s important to sound different from the rest, to have your own sound, to be able to produce something that’s not there yet . . . If you want to be unique and you want to be a big DJ, create your own style, create your own signature.
There's nothing else exactly like it in any other art form, the orchestration of so many different elements. It's endlessly fascinating what can be done editorially. You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
I hate irony, particularly when it is used because there isn't any message or to hide that someone hasn't any story to tell. Just like when someone only spews out a stack of cool words which don't mean anything and then has the gall to call it art. I always want to create a bridge between us and the listener, and I want it to be so that kids want to create for themselves a story or a context of the words.
What I had found after the success of Karate Kid II is that an actor basically needs to - a primary requirement on my part as how I view as actor is you have to create a background, you have to create a history of that character and place her into the script that you're reading and carry on forward because you don't know how the future unfolds. This is what storytelling is you place a certain set of circumstances with a certain set of characters and you see what unfolds after an event happens.
An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.
I don’t create art to get high dollar projects, I do high dollar projects so I can create more art.
What you hope, you will eventually believe. What you believe you will eventually know. What you know, you will eventually create. What you create, you will eventually experience. What you experience, you will eventually express. What you express, you will eventually become. This is the formula for all of life.
I think it is important to keep redefining yourself as an actor with the roles you do and, at the same time, create diversity in your body of work.
Getting global innovation projects right is really important as they create competitive advantage two ways. When the knowledge for an innovation is from different sites around the world, it's very much more difficult for competitors to copy these innovation - they'd have to access the same knowledge from the same places. Secondly, costs and time to market can be significantly reduced leading to first mover advantage through parallel development in global projects.
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