A Quote by Michael Eklund

With the way I like to work, I always have to draw [inspiration] from somewhere, and the best place to take from is your own life. — © Michael Eklund
With the way I like to work, I always have to draw [inspiration] from somewhere, and the best place to take from is your own life.
It's always important to draw a line somewhere in a respectful way where you're still approachable, you're still there for the people and meeting them halfway, but you're not neglecting your own duties and your own time to rejuvenate to be able to do it again.
If you're somebody that gets a chance to go somewhere... that has to work somewhere or go to another city, then do your best to see it. Because I just think that's the best way to have an interesting life.
If something inspires you, try and hold on to that inspiration because if you lose that inspiration, what do you have left? If music is your inspiration and it brings you together with friends, family or loved ones and that's the core of it, then always have it. Always draw from it.
When you talk about inspiration, I draw inspiration from life. The people that I work with.
I've done my best to work from a place of humility - always looking over your shoulder saying, 'Does this suck?' and I think that's a good way to work. The other way to work is where you start to think, 'I'm on fire, I'm amazing!' and I don't think that's the way to work.
Never ask for approval in your work. Life is your own, inspiration is your own, you create alone, and the results are your own - and that's good enough.
I read somewhere that Rubens said students should not draw from life, but draw from all the great classic casts. Then you really get the measure of them, you really know what to do. And then, put in your own dimples. Isn't that marvelous!
What I would say to filmmakers, if I may be so bold or so arrogant, is to draw inspiration from other filmmakers, but go to the place in your own gut where everything is nothing. That's a very Zen thing to say, but that place of nothing is where real creativity comes out of.
One of the things you'll discover... as you listen to your own soul is that you spend a great amount of your life trying to bring meaning to your own life. And, by the way, most people are not going to church, so the place they're actually trying to find meaning in their life is at work.
The way that UCB taught us to improvise, you always start from an inspiration from your life, something that's happened to you or a friend. And then you put a comic game onto it. It always starts from a place of reality, of truth.
I always have looked for the best challenge, I guess, that I could take on. I haven't been producing my own work or anything like that, so I've taken the jobs that look most interesting that come my way.
I really want to feel that I'm in a very balanced and good place in my life. And I do feel that. But I think it's always important to learn and draw little bits of inspiration from wherever we can.
Forget conventionalisms; forget what the world thinks of you stepping out of your place; think your best thoughts, speak your best words, work your best works, looking to your own conscience for approval.
That's what acting is all about - it's all about bringing truth from your own life, and putting it into your characters. If you have the advantage of using your own life in your work, that's always the way to go.
Hollywood's fickle. It's always been that way, and it will always be that way. And it's always going to be somebody new and exciting comes along. That's just the way it works, and it will always work that way. And I think that if you give it everything to the exclusion of your own real life and family, you've sold yourself down the river.
Writing about a place is, of course, one good way of feeling close to it, feeling you have made something out of your interaction with that place. It's like a marker of your own experience, of that time in your life.
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