A Quote by Michael Emerson
As an actor, I'm not sure what I had to offer the world of tragedy and comedy when I was 21. I hadn't lived a whole lot. By my middle 30s, you know, I had been knocked around a little bit.
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I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
The available worlds looked pretty grim. They had little to offer him because he had little to offer them. He had been extremely chastened to realize that although he originally came from a world which had cars and computers and ballet and Armagnac, he didn't, by himself, know how any of it worked. He couldn't do it. Left to his own devices he couldn't build a toaster. He could just about make a sandwich and that was it.
I've had a chance to really stretch and do a lot of different genres. When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
When I lost my wife I had a whole different concept of her life. She lived 21 years and people who knew her know it wasn't about the great things she did on this earth. It wasn't that she had money or had popularity, it was that she loved Jesus Christ more than anything else in this world. That was how she related to the world.
So I got a chance to meet a whole bunch of those old real, real rough but gentle men. They lived hard, but they lived good - in one sense, you know. But you had a lot of fun. Didn't make much money, but you had a lot of fun.
Because in order to beat Jimmy, I had to get around the ball a little bit quicker so I wasn't always on defensive and catching the ball on last stride, that I had little more time. Once I was able to get little bit quicker, then it has helped me a lot.
When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.
The utter failure came at the Crucifixion in the tragic words, 'My God, my God, why hast thou forsaken me?' If you want to understand the full tragedy of those words you must realize what they meant: Christ saw that his whole life, devoted to the truth according to his best conviction, had been a terrible illusion. He had lived it to the full absolutely sincerely, he had made his honest experiment, but it was nevertheless a compensation. On the cross his mission deserted him. But because he had lived so fully and devotedly he won through to the Resurrection body.
I had an audition process that went on for a long time, and I got to spend a lot of time with the guys who are directing the film. Getting to be around them and being around the world a little bit has been the main experience so far. I did my audition on the Millennium Falcon for one of my screen tests, which was pretty cool.
I'm reaching a certain level [at school] that I had been aspiring to with all these incredibly advanced classical peers around me that I had been trying to be able to hang with them a little bit.
I remember being in a parking lot, I think it was in New Mexico, I was to be at a shoot-around at 9 A. M. their time. And I got off the phone with Sarah and Matthew and I sat in that parking lot and cried for a little bit. Because I had been away so much. It got to the point where I was calculating how much time I had been away from the kids.
I've always had a crazy sense of humor. So the ballet probably wouldn't have been enough for me. I had to clown around a little bit more.
'L.A. Law' has been a bit of a blessing and a curse. First of all, it was a very prestigious show that had a lot of intellect, and I was the pretty boy. I've had to battle that my whole career: 'Oh, you were the face guy. You didn't really have to act; you just had to wear the right suits.' I had to battle that.
I had a lot of strong women around my whole life who were survivors. My grandma survived breast cancer twice and the death of her child and the death of her brother, and, you know, just a lot of tragedy, and she's still the happiest person I've ever met.
If Lehman Brothers had been a bit more Lehman Sisters ... we would not have had the degree of tragedy that we had as a result of what happened.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
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